conservation-studio.org.uk
Conservation StudioConservation Studio - Restoration of Oil Paintings & Works of Art on Paper
http://conservation-studio.org.uk/
Conservation Studio - Restoration of Oil Paintings & Works of Art on Paper
http://conservation-studio.org.uk/
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Conservation Studio | conservation-studio.org.uk Reviews
https://conservation-studio.org.uk
Conservation Studio - Restoration of Oil Paintings & Works of Art on Paper
conservation-studio.org.uk
Conservation Studio
http://conservation-studio.org.uk/Oils.php
Consultation and Condition Reports. What we do not do. Portrait of a Soldier. It showed a considerable loss of original paint. The vertical lines on the right of the portrait are acid burns. Missing gesso is in-filled with special putty and subsequently in-painted. This painting had been subjected to much over painting during a previous restoration. The painting was hanging loosely from the stretcher. It has some holes, paint loss and other damage.
Conservation Studio
http://conservation-studio.org.uk/ValuationsInsurance.php
Consultation and Condition Reports. What we do not do. On the left we see this 17th century Dutch portrait as it came into the Studio. It had been partially cleaned by a dealer. Much of the remaining discoloured varnish had run in long drips down the painting and the cleaning solution used had eaten into the original pigment. The same painting on the right is shown after careful removal of the remaining varnish and remedial work. The monetary value of paintings can go down, as well as up.
Conservation Studio
http://conservation-studio.org.uk/WaterColours.php
Consultation and Condition Reports. What we do not do. Watercolours and engravings can be cleaned. Paper discolouration, that is often brownish in colour, and sometimes caused by harmful acids and colour leaching from the backing board to the image, can be removed. Foxing, which are small brown dots, and vertical brown stains, that are generally air burns, can be treated and removed. Unsightly folds can be removed and new paper made to fit missing parts. Before and after cleaning and treatment.
Conservation Studio
http://conservation-studio.org.uk/Whatwedonotdo.php
Consultation and Condition Reports. What we do not do. The naïve painting on the left is shown as it came into the workshop, and after cleaning and other essential work on the right. However, if in doubt ask, preferably by e-mail with accompanying photograph.
Conservation Studio
http://conservation-studio.org.uk/InSituCollectionDelivery.php
Consultation and Condition Reports. What we do not do. The 19th century oil painting on the left is shown, after its owner had tried to clean it. It was brought to the Studio in the condition we see on the left. The image on the right is the same painting after correct cleaning and treatment. Before, and after cleaning and restoration.
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conservation-studio-2.blogspot.com
Research
Monday, June 13, 2011. Breaking Meanings and Sustaining Disagreements. It is an obvious trend to observers that the conservation of contemporary art has become increasingly complex over the years. There is also an attendant awareness that traditional models of decision-making can sometimes be of a hindrance, even with the best of intentions. Symposium held at the Tropenmuseum (Royal Tropical Institute, Amsterdam), 9 - 11 June 2010. For more information on the symposium, click here. Poster (PDF; 567 KB).
conservation-studio-3.blogspot.com
Conservation News
Monday, January 23, 2012. Paper Through Time - University of Iowa. A very comprehensive and interesting research project looking at the chemical make-up and properties of historical European papers from 14th to 19th centuries. See the web-site for more -. The primary conclusion seems to be that the higher concentration of gelatin and calcium used in earlier paper-making seems to afford better long-term protection of historical papers. For a summary of the project, see the press release posted on. Saturda...
conservation-studio.blogspot.com
The Conservation Studio
My Mail Box 888612. Getting people to think long-term about art and heritage.
- The Conservation Studio, 27 Duke Street, Edinburgh EH6 8HH
CONSERVATION and RESTORATION OF OIL PAINTINGS, WALL PAINTINGS and HISTORIC DECORATION. SALLY CHEYNE MA ACR and OWEN DAVISON MA. 27 DUKE STREET EDINBURGH EH6 8HH.
PlantageNet
Conservation Studio
Consultation and Condition Reports. What we do not do. Restoration of Oil Paintings and Works of Art on Paper. Serving Museums, Galleries, Institutions, Dealers, Framers and Private Owners. Telephone/Fax: 023 8026 8167. Email : enquiries@conservation-studio.org.uk. No part whatsoever may be produced in any format or media without their specific written permission.
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