texturedpots.org

Kyoko Tonegawa

When the wheel is spinning very rapidly, I push out from the inside, never touching the outer surface, as I see the clay beginning to stretch and crack, I want to make it stretch more and more: to make lava flow and continents drift apart. New textures demand new technique, so I have had to break away from traditional methods. With my new technique, it was difficult for me to obtain clarity of color. After many years of experiments, I obtained the rich, clear colors I was looking for.

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Kyoko Tonegawa | texturedpots.org Reviews

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When the wheel is spinning very rapidly, I push out from the inside, never touching the outer surface, as I see the clay beginning to stretch and crack, I want to make it stretch more and more: to make lava flow and continents drift apart. New textures demand new technique, so I have had to break away from traditional methods. With my new technique, it was difficult for me to obtain clarity of color. After many years of experiments, I obtained the rich, clear colors I was looking for.

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Kyoko Tonegawa | texturedpots.org Reviews

https://texturedpots.org

When the wheel is spinning very rapidly, I push out from the inside, never touching the outer surface, as I see the clay beginning to stretch and crack, I want to make it stretch more and more: to make lava flow and continents drift apart. New textures demand new technique, so I have had to break away from traditional methods. With my new technique, it was difficult for me to obtain clarity of color. After many years of experiments, I obtained the rich, clear colors I was looking for.

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texturedpots.org

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Kyoko Tonegawa

http://www.texturedpots.org/philosophy.html

When the wheel is spinning very rapidly, by using a special traditional technique she throws from the inside without touching the outer surface to preserve the natural exterior textures of the clay, which emulate the ever-changing surface of the earth. The shape is altered by the centrifugal forces as it spins. ”. When making a pot, what do I want to achieve?

2

Kyoko Tonegawa

http://www.texturedpots.org/index.html

When the wheel is spinning very rapidly, I push out from the inside, never touching the outer surface, as I see the clay beginning to stretch and crack, I want to make it stretch more and more: to make lava flow and continents drift apart. New textures demand new technique, so I have had to break away from traditional methods. With my new technique, it was difficult for me to obtain clarity of color. After many years of experiments, I obtained the rich, clear colors I was looking for.

3

Kyoko Tonegawa

http://www.texturedpots.org/Gallery.html

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Kyoko Tonegawa

http://www.texturedpots.org/exhibits.html

International Ceramics Competition, Mino, Japan. Looking at Earth : 1986, National Air and Space Museum, Washington, D.C. USA International Academy of Ceramics Exhibition, North Central Museum, WA. U.S.A. Musee d'Art de Vallauris, Cannes, France. Musee Ariana, Geneva, Switzerland. Museum of Prague, Czech Republic. Museum of Saga, Saga, Japan. Museum of Brooklyn, New York, NY. U.S.A. Museum of Philadelphia, Philadelphia, PA. U.S.A. Mint Museum, Charlotte, NC. U.S.A. Benaki Museum, Athens, Greece. Earth Vi...

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Kyoko Tonegawa

When the wheel is spinning very rapidly, I push out from the inside, never touching the outer surface, as I see the clay beginning to stretch and crack, I want to make it stretch more and more: to make lava flow and continents drift apart. New textures demand new technique, so I have had to break away from traditional methods. With my new technique, it was difficult for me to obtain clarity of color. After many years of experiments, I obtained the rich, clear colors I was looking for.

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