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Ruminations on painting

The studio diary of San Francisco abstract symbolist painter Ben Cressy. Unveiling some of the mystery, confusion, excitement and oddness of creating paintings. Tuesday, March 09, 2010. Hurry Up and Wait (or 'not so fast! As the semester wound down, going into the unknown is both daunting and liberating. With several possibilities in the mix, the subject of these paintings reflect that nearness of decision and choice. Waiting Room, 2009-10, oil on canvas, 28 x 22 inches. Run for the exit? Following from ...

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Ruminations on painting | studiorumination.blogspot.com Reviews
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The studio diary of San Francisco abstract symbolist painter Ben Cressy. Unveiling some of the mystery, confusion, excitement and oddness of creating paintings. Tuesday, March 09, 2010. Hurry Up and Wait (or 'not so fast! As the semester wound down, going into the unknown is both daunting and liberating. With several possibilities in the mix, the subject of these paintings reflect that nearness of decision and choice. Waiting Room, 2009-10, oil on canvas, 28 x 22 inches. Run for the exit? Following from ...
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Ruminations on painting | studiorumination.blogspot.com Reviews

https://studiorumination.blogspot.com

The studio diary of San Francisco abstract symbolist painter Ben Cressy. Unveiling some of the mystery, confusion, excitement and oddness of creating paintings. Tuesday, March 09, 2010. Hurry Up and Wait (or 'not so fast! As the semester wound down, going into the unknown is both daunting and liberating. With several possibilities in the mix, the subject of these paintings reflect that nearness of decision and choice. Waiting Room, 2009-10, oil on canvas, 28 x 22 inches. Run for the exit? Following from ...

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Ruminations on painting: November 2007

http://studiorumination.blogspot.com/2007_11_01_archive.html

The studio diary of San Francisco abstract symbolist painter Ben Cressy. Unveiling some of the mystery, confusion, excitement and oddness of creating paintings. Thursday, November 29, 2007. Breaking Reticence, 36 x 48 inches. oil. 2007. Entice Existent, 48 x 36 inches. oil. 2007. 14 x 11 inches. Epic, 68" x 83"oil on canvas, 2007. Subscribe to: Posts (Atom).

2

Ruminations on painting: February 2010

http://studiorumination.blogspot.com/2010_02_01_archive.html

The studio diary of San Francisco abstract symbolist painter Ben Cressy. Unveiling some of the mystery, confusion, excitement and oddness of creating paintings. Saturday, February 27, 2010. Third Quarter, 2009. Shell Game, 2009, oil on canvas, 28 x 22 inches. Comfy Chair, 2009, oil on canvas 28 x 22 inches. Beckon, 2009, oil on canvas, 28 x 22 inches. At the end of the summer, not long before the semester began, I was offered a drawing class to teach! In the meantime I had been working with several local...

3

Ruminations on painting: Reflecting

http://studiorumination.blogspot.com/2009/05/reflecting.html

The studio diary of San Francisco abstract symbolist painter Ben Cressy. Unveiling some of the mystery, confusion, excitement and oddness of creating paintings. Sunday, May 31, 2009. While I didn't set out to make paintings about the crashing of the economy, the paintings from the first half of 2009 have certainly reflected it. Of course, on another level they are continued explorations of picture plane and color theory. The Hammering, 2009, oil on canvas, 28 x 22 inches.

4

Ruminations on painting: December 2008

http://studiorumination.blogspot.com/2008_12_01_archive.html

The studio diary of San Francisco abstract symbolist painter Ben Cressy. Unveiling some of the mystery, confusion, excitement and oddness of creating paintings. Thursday, December 04, 2008. Sprawling in the Onramp studio. 36 contiguous feet of working wall, and room to make a mess. I'm interested to see how my work and working habits will change in the new space. End of OnRamp Studios. And that's enough of that. Subscribe to: Posts (Atom). End of OnRamp Studios.

5

Ruminations on painting: Indeterminate Reaction

http://studiorumination.blogspot.com/2010/03/indeterminate-reaction.html

The studio diary of San Francisco abstract symbolist painter Ben Cressy. Unveiling some of the mystery, confusion, excitement and oddness of creating paintings. Friday, March 05, 2010. Early into the semester, I was graciously informed that I wouldn't have a class to teach for the following semester due to further cuts in the community college budget. I've never been one to put all my chips in one basket, so having the various other part time jobs in the mix was a blessing. Contract: Variations of Red.

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Ruminations on painting

The studio diary of San Francisco abstract symbolist painter Ben Cressy. Unveiling some of the mystery, confusion, excitement and oddness of creating paintings. Tuesday, March 09, 2010. Hurry Up and Wait (or 'not so fast! As the semester wound down, going into the unknown is both daunting and liberating. With several possibilities in the mix, the subject of these paintings reflect that nearness of decision and choice. Waiting Room, 2009-10, oil on canvas, 28 x 22 inches. Run for the exit? Following from ...

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