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Sounds Visible and Indivisible

Sounds Visible and Indivisible. 8220;KEEP” – a piece for the old and new Gallery Oldham. May 15, 2015. Is influenced by a four-day residency at Gallery Oldham, in particular time spent in the old gallery, currently in limbo whilst awaiting funding decisions to renovate the space and reconnect it to the new Gallery and lIbrary building. 8220;Arrival at the Engine Room” – Live performance at METAL, Edge Hill, LIverpool. April 24, 2015. Behind the scenes at the Engine Room:. Block 2 – Live performer. Tried ...

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Sounds Visible and Indivisible | soundsvisible.wordpress.com Reviews

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Sounds Visible and Indivisible. 8220;KEEP” – a piece for the old and new Gallery Oldham. May 15, 2015. Is influenced by a four-day residency at Gallery Oldham, in particular time spent in the old gallery, currently in limbo whilst awaiting funding decisions to renovate the space and reconnect it to the new Gallery and lIbrary building. 8220;Arrival at the Engine Room” – Live performance at METAL, Edge Hill, LIverpool. April 24, 2015. Behind the scenes at the Engine Room:. Block 2 – Live performer. Tried ...

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Sounds Visible and Indivisible | soundsvisible.wordpress.com Reviews

https://soundsvisible.wordpress.com

Sounds Visible and Indivisible. 8220;KEEP” – a piece for the old and new Gallery Oldham. May 15, 2015. Is influenced by a four-day residency at Gallery Oldham, in particular time spent in the old gallery, currently in limbo whilst awaiting funding decisions to renovate the space and reconnect it to the new Gallery and lIbrary building. 8220;Arrival at the Engine Room” – Live performance at METAL, Edge Hill, LIverpool. April 24, 2015. Behind the scenes at the Engine Room:. Block 2 – Live performer. Tried ...

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soundsvisible.wordpress.com

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“KEEP” – a piece for the old & new Gallery Oldham | Sounds Visible and Indivisible

https://soundsvisible.wordpress.com/2015/05/15/keep-a-piece-for-the-old-new-gallery-oldham

Sounds Visible and Indivisible. About and Contact Us. 8220;KEEP” – a piece for the old and new Gallery Oldham. May 15, 2015. Is influenced by a four-day residency at Gallery Oldham, in particular time spent in the old gallery, currently in limbo whilst awaiting funding decisions to renovate the space and reconnect it to the new Gallery and lIbrary building. 8220;Arrival at the Engine Room” – Live performance at METAL, Edge Hill, LIverpool. Leave a Reply Cancel reply. Enter your comment here.

2

Day 5 | Sounds Visible and Indivisible

https://soundsvisible.wordpress.com/2014/10/03/day-5

Sounds Visible and Indivisible. About and Contact Us. October 3, 2014. Breaking out the noise. Adding multichannel sound, playing with spatial fx. Gormley and the Uncanny. Block 2 – Live performer. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Notify me of new comments via email.

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Gormley & the Uncanny | Sounds Visible and Indivisible

https://soundsvisible.wordpress.com/2014/09/12/gormley-the-uncanny

Sounds Visible and Indivisible. About and Contact Us. Gormley and the Uncanny. September 12, 2014. On our fourth day of discussion and exercises at METAL, Edge Hill. Timelapse of Sounds Visible development work day 4. Looking at Algorithms, peels of bells, attack and decay, previous works and other inspirations. First week at METAL. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.

4

August | 2014 | Sounds Visible and Indivisible

https://soundsvisible.wordpress.com/2014/08

Sounds Visible and Indivisible. About and Contact Us. Archive for August, 2014. First week at METAL. Opening discussion on inspiration and working process. 1 The context of a piece of work is always important. 2 Doing a concert piece without visual (or audio) distractions. 3 Difference of experience on duration of work: GW very precise up front and can say before anything else that this is a 7 minute piece , JST hardly ever thinks about it. 5 How do we value perception of a piece or work too much? Gestur...

5

“Arrival at the Engine Room” – Live performance at METAL, Edge Hill, LIverpool | Sounds Visible and Indivisible

https://soundsvisible.wordpress.com/2015/04/24/arrival-at-the-engine-room-live-performance-at-metal-edge-hill-liverpool

Sounds Visible and Indivisible. About and Contact Us. 8220;Arrival at the Engine Room” – Live performance at METAL, Edge Hill, LIverpool. April 24, 2015. Behind the scenes at the Engine Room:. Sounds Visible Research and Development Processes. Some shots from the rehearsal process for the METAL performance, and discussion from Gavin and Joe about how the project has developed. A more complete overview can be heard in the podcast below:. Block 2 – Live performer. Leave a Reply Cancel reply.

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Sounds Visible and Indivisible

Sounds Visible and Indivisible. 8220;KEEP” – a piece for the old and new Gallery Oldham. May 15, 2015. Is influenced by a four-day residency at Gallery Oldham, in particular time spent in the old gallery, currently in limbo whilst awaiting funding decisions to renovate the space and reconnect it to the new Gallery and lIbrary building. 8220;Arrival at the Engine Room” – Live performance at METAL, Edge Hill, LIverpool. April 24, 2015. Behind the scenes at the Engine Room:. Block 2 – Live performer. Tried ...

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