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Oil Portraits | A Rational Approach to Painting Portraits

A Rational Approach to Painting Portraits

http://portraits.richardmurdock.com/

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Oil Portraits | A Rational Approach to Painting Portraits | portraits.richardmurdock.com Reviews
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1 process
2 pricing
3 galleries
4 principle gallery alexandria
5 methods
6 materials
7 philosophy
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9 news
10 art education
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Oil Portraits | A Rational Approach to Painting Portraits | portraits.richardmurdock.com Reviews

https://portraits.richardmurdock.com

A Rational Approach to Painting Portraits

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1

Methods | Oil Portraits

http://portraits.richardmurdock.com/category/methods

Black IS a color. Aug 19, 2014 Materials. Blacks are purple-blues, in varying degrees of chroma and to some extent value. It’s easy to see why mixing a PB into yellow will give you mud! The key is to hold the right hue and chroma as you bring the values down to their lowest. Since all the great painters. Master studies and questions. Aug 19, 2014 Procedures. Following or opposing tradition? Aug 19, 2014 Philosophy. 8220;Observing a tradition implies following, but does it mean following and nothing more?

2

Philosophy | Oil Portraits

http://portraits.richardmurdock.com/category/methods/philosophy

Following or opposing tradition? Aug 19, 2014 Philosophy. 8220;Observing a tradition implies following, but does it mean following and nothing more? One can follow the rules and models, when doing so is really following; and one can oppose them, when doing so is really following. Is opposing really following?

3

About | Oil Portraits

http://portraits.richardmurdock.com/about

About my work, and painting portraits. It is my belief and experience that the best way for me to capture what is most beautiful about my subject is through my ability to perceive and articulate what is true about them. I promise, with humility, that i can draw any subject and match any color i see with near-perfect accuracy. My personal work can be seen at these galleries:. The Marshall Gallery, Scottsdale, AZ. Haynes Galleries, Thomaston, ME. Principle Gallery, Alexandria, VA.

4

Principle Gallery Alexandria | Oil Portraits

http://portraits.richardmurdock.com/category/galleries/principle-gallery-alexandria

Another Drawing for Principle. Aug 19, 2014 Principle Gallery Alexandria. Here’s the second drawing done for Principle’s September Drawing Show. It’s on Hannemuhle’s Antique Rose paper, which is very sensitive, a lovely surface to work on, and sucks moisture right out of the air. All the buckling visible in the photo.

5

Art Education | Oil Portraits

http://portraits.richardmurdock.com/category/news/art-education

Aug 19, 2014 Art Education. Teaching Drawing and Painting Skills Drawing and painting are comprised of skills that can be taught, and anyone willing to work hard can learn to do both well. I concentrate on teaching the principles behind excellent drawing, color and painting, instead of.

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Materials | The Dead Color Diary

http://richardmurdock.com/materials

I’m a big believer in simple working methods, and dependable, proven materials. I avoid hygroscopic substrates, all unnecessary paint additions, retouch varnish and driers whenever possible. In the last year I began using panels made by InnerGlow. Their panels are well made, tested for archival and structural durability, and much less expensive than the costs of making my own panels. I prime the InnerGlow panels with lead white, using either Williamsburg, RGH. 90% of the paint I use is Williamsburg, and ...

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About | The Dead Color Diary

http://richardmurdock.com/about

I’m passionate about expressing what is most beautiful about my subject by being able to paint that which is most true about it. I do not think any one of us can imagine exactly what a truly global, competitive art world will look like. Where the more gentle works such as still lives will fit in will be interesting. Hopefully, chaos will always be balanced by order and people will seek some respite from the sensational and the distractive. My work can be seen at these galleries:. Camille, with orchids.

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Dark colors | The Dead Color Diary

http://richardmurdock.com/posts/dark-colors

Blacks are purple-blues, in varying degrees of chroma and to some extent value. It’s easy to see why mixing a PB into yellow will give you mud! The key is to hold the right hue and chroma as you bring the values down to their lowest. Since all the great painters could do this without Munsell it is obviously possible to do it now. Munsell is just the easiest way to get there. You might be interested in Me.

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Figure Paintings | The Dead Color Diary

http://richardmurdock.com/figure-paintings

Study of La Moissoneuse. 48 inches by 48 inches, oil on panel. Portrait of Zaza as an angel. 24 inches by 36 inches, oil on panel. Magda with parrot tulips. 24 inches by 36 inches, oil on panel. Kate, age 9, with tea roses. 20 inches by 16 inches, oil on copper panel. Camille, with orchids. 20 inches by 16 inches, oil on panel. Graphite study of Magda's hands. 12 inches by 12 inches, graphite on rag paper. 20 inches by 16 inches, oil on panel.

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Posts | The Dead Color Diary

http://richardmurdock.com/posts

Sometimes I write about an experience or pleasant (or unpleasant) discovery. Most of the time I participate on Rational Painting, but will post thoughts here as well. The other factor that stood out with this cow is that an object usually has a hue curve. What that means is an object has a main local which is the way we identify it. Lemons are yellow, right? You might be interested in Me.

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Still Life Paintings | The Dead Color Diary

http://richardmurdock.com/still-life-paintings

The Stuffed Rabbit, in Uniform. 48 inches by 36 inches, oil on panel. Pear wrapped in white paper. 48 inches by 48 inches, oil on panel. 24 inches by 36 inches, oil on panel. 10 inches by 8 inches, oil on panel. 24 inches by 36 inches, oil on panel. 12 inches by 12 inches, graphite on rag paper. Rose of Sharon in silver cup. 20 inches by 16 inches, oil on panel. I’m passionate about expressing what is most beautiful about my subject by being able to paint that which is most true about it.

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Oil Portraits | A Rational Approach to Painting Portraits

I’m passionate about expressing that which is most true and beautiful about a person through my painting. I was asked recently why anyone would commission an oil portrait. Why not just take a photograph? The first part of the answer is that although a photographer chooses when to click the shutter, the personal process of making artistic decisions ends there, aside from darkroom tricks and enhancements. A photograph is a recording of a moment, produced by mechanical means. My work is structured around ex...

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WORKS 2011 - 13. If you are looking to commision a portrait from a fine artist and would like something slightly different from the rest then your might just have found the right place. Click on the links left to navigate. I'm an artist and painter working in the UK. My works can be found in private collections, and commercially in magazines and advertisements and online. From 2004 I've been exploring transhuman themes and thread this into my current portrait work. 2012 Russell Rukin.