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I believe that the use of noise to make music will continue and increase until we reach a music. Produced through the use of electrical instruments, which will make available for musical purposes any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored. John Cage : The Future of Music: Credo (1937). Three Way Flicker selected as finalist for Fresh Minds Oct 2015. Red Green Totem Screens in Hamburg Jan 2015. 3 Way Flicker selec...

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I believe that the use of noise to make music will continue and increase until we reach a music. Produced through the use of electrical instruments, which will make available for musical purposes any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored. John Cage : The Future of Music: Credo (1937). Three Way Flicker selected as finalist for Fresh Minds Oct 2015. Red Green Totem Screens in Hamburg Jan 2015. 3 Way Flicker selec...
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3 installations
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Ocusonic Home | ocusonic.com Reviews

https://ocusonic.com

I believe that the use of noise to make music will continue and increase until we reach a music. Produced through the use of electrical instruments, which will make available for musical purposes any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored. John Cage : The Future of Music: Credo (1937). Three Way Flicker selected as finalist for Fresh Minds Oct 2015. Red Green Totem Screens in Hamburg Jan 2015. 3 Way Flicker selec...

INTERNAL PAGES

ocusonic.com ocusonic.com
1

archive-ocusonic

http://www.ocusonic.com/archive_ocusonic.html

A selection of archived projects. Chamber Opera for Soprano and Cello. Composition for Bass Clarinet and Marimba. Experimental TV Center Residency. Eklectra Compilation of Irish Electronica. Esoterica In Obscura LP.

2

Ocusonic-Homepage2

http://www.ocusonic.com/indexPage2.html

I believe that the use of noise to make music will continue and increase until we reach a music. Produced through the use of electrical instruments, which will make available for musical purposes. Any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored. John Cage : The Future of Music: Credo (1937). Pretty In Pink selected for Open Eyes, Marburg, Germany in July. 3 Way Flicker selected for NIFF, Greece in Sept. Pretty in Pink...

3

screenings-ocusonic

http://www.ocusonic.com/screenings-page.html

Ocusonic screenings, installations and performances. Hamburg International Short Film. Abstract Art In Motion (performance). Laznia Centre for Contemporary Art. 6th International video art Festival. Festival for experimental music. Various Artists (2xDVD Set). Experimental Media Art Residency New York. Owego, New York. USA. Museum Night WDR (performance). Art Space : Interplay (Chasing Waves Installation). Baja California, Mexico. Un Festival C'est Trop Court. Newark, New Jersey, USA. Best of Clip Award 8.

4

Why Do You Have a Beard?

http://www.ocusonic.com/why_do_you_have_a_beard.html

Why Do You Have a Beard? Why Do You Have a Beard :. Inspired by an airport security question. This short film presents the rich ethnic diversity of humanity. As animated faces morph from one culture to the next. Why Do You Have a Beard. What the music Festival. Portland, Oregon, USA. Salon International de la Luz. New media art festival. International short film festival. Sao Paulo, Brazil. International short film festival. Albany, NY, USA. Wareham, Dorset, UK. Aspects of digital video. New Delhi, India.

5

3 Way Flicker

http://www.ocusonic.com/three_Way_Flicker.html

3 Way Flicker : 7'48" : 2014. 3 Way Flicker :. Uses the juxtaposition of three elementary components to create an audio visual work which contains additional rhythmic and harmonic complexities. The individual audio visual elements were synchronously generated, using analog technologies,. And result in a complete synesthetic experience. Baja California, Mexico. Un Festival C'est Trop Court. Newark, NJ USA. International Experimental Film Festival. Festival of experimental video.

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hacklab.recyclism.com hacklab.recyclism.com

Members « Recyclism Hacklab

http://hacklab.recyclism.com/members

He is currently leading Data 2.0 (Dublin Art and Technology Association). He is a member of the Graffiti Research Lab France. And is lecturer at the National College of Art and Design in Dublin. Since 2005 he has been leading workshops and giving lectures in Europe and US about e-waste and hardware Hacking / Recycling. Workshop participants explore the potential of obsolete technologies in a creative way and find new strategies for e-waste recycling. Faculty of Fine Art. Dave Head aka 3D Dave. Iyvone&#82...

maxhattler.com maxhattler.com

MAX HATTLER: audiovisual performances

http://www.maxhattler.com/live

As an extension of his film and video work – and as an antidote to it – Max Hattler performs live audiovisual works at festivals, in art spaces, and sometimes in clubs. Max plays on his own, and has collaborated with artists such as Noriko Okaku. And sound and music acts including Basement Jaxx. My Panda Shall Fly. Mehmet Can Özer. Hong Kong, 29 Nov (live visuals with #Normal Sound System: Christiaan Virant and James Banbury). Miami and International Waters, 14 Nov (VJ set). Seoul Museum of Art. It looke...

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Ocusonic Home

I believe that the use of noise to make music will continue and increase until we reach a music. Produced through the use of electrical instruments, which will make available for musical purposes any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored. John Cage : The Future of Music: Credo (1937). Three Way Flicker selected as finalist for Fresh Minds Oct 2015. Red Green Totem Screens in Hamburg Jan 2015. 3 Way Flicker selec...

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