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The opposite of desire | World Aesthetics
https://worldscreenblog.wordpress.com/2007/10/07/the-opposite-of-desire
A blog of unfinished thoughts on film and theory. 8216;Flesh is the common ground of all being’. The opposite of desire. October 7, 2007. Looking at the pile (perhaps this definition is too formal) of books next to my bed, I realised today that I had not finished reading Virilio’s. 2007 So because it’s a nice size and relatively light I put it in my bag for reading during the interstitial moments of my day. And from page 100 (the perfect, complete number):. Everything, right now! How much we get done, wh...
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World Aesthetics | A blog of unfinished thoughts on film and theory | Page 2
https://worldscreenblog.wordpress.com/page/2
A blog of unfinished thoughts on film and theory. Never mind how we kill each other. How do we talk about it? August 16, 2007. Godard, 2004) in class today reminded me of a point included in the reader from Paul Virilio’s book. No Man’s Land. No Man’s Land. 8230;history as a whole takes its cue from filmic acceleration, from this cinematic and televisual crush! 8211; Paul Virilio, 2005. Trans Julie Rose, Cambridge: Malden; Polity Press. 26. No Man’s Land. The image, and politics of space. August 6, 2007.
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Sound and subjectivity | World Aesthetics
https://worldscreenblog.wordpress.com/2007/09/21/sound-and-subjectivity
A blog of unfinished thoughts on film and theory. Aesthetics for a dystopian reality. The opposite of desire. September 21, 2007. In Sofia Coppola’s. Much of the sound seems as though it is non-diegetic because of its obvious removal from the temporal space of eighteenth-century France, even if it is represented as coming from the frame. Coppola presents sound in terms of both music and voice as deterritorialized from the space and time of the film’s historical universe. Music. Does to the image) . T...
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Aesthetics for a dystopian reality | World Aesthetics
https://worldscreenblog.wordpress.com/2007/09/07/aesthetics-for-a-dystopian-reality
A blog of unfinished thoughts on film and theory. The alteration of perception (* Separate assessment* ). Aesthetics for a dystopian reality. September 7, 2007. Moving on- reading about artistic regimes, I think I have discerned that I just prefer films that don’t have this kind of. Grittiness and rawness to them. Films from the poetic, mimetic regime, as Rancière classifies art that is regulated around reality and imitation, don’t offer as much as his other defined types. From Godard’s 1968. It’s ...
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Yours, the World. | World Aesthetics
https://worldscreenblog.wordpress.com/2007/11/07/yours-the-world
A blog of unfinished thoughts on film and theory. 8216;Flesh is the common ground of all being’. Yours, the World. November 7, 2007. Thai filmmaker Apichatpong Weerasethakul says here. Architecture gives more freedom? The feeling that stuck with me most about Apichatpong’s. 2002) is that none of the characters in the film were actually very nice; I couldn’t imagine myself being friends with any of them (like the four protagonists in. Which means that what I liked most about the film was that it returned ...
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The alteration of perception (**Separate assessment**) | World Aesthetics
https://worldscreenblog.wordpress.com/2007/08/26/the-alteration-of-perception
A blog of unfinished thoughts on film and theory. Aesthetics for a dystopian reality. The alteration of perception (* Separate assessment* ). August 26, 2007. A nation is always something smaller than humanity and bigger than an ethnic group or region. 8211; Thomas Elsaesser: 652. How do we, and how does von Trier, define what a nation or community is and how it comes into formation? How do we perceive the concept, and how are we shaped by the actual? In her lecture and blog, Felicity talks about. Analog...
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‘Flesh is the common ground of all being’ | World Aesthetics
https://worldscreenblog.wordpress.com/2007/10/10/flesh-is-the-common-ground-of-all-being
A blog of unfinished thoughts on film and theory. The opposite of desire. Yours, the World. 8216;Flesh is the common ground of all being’. October 10, 2007. The sexual act for her is something given- bodies are made to have sex, so they should. She is angry that even though Paul (Sagamore Stévenin) can have sex he won’t, that he won’t fulfil his subject-role as her sexual partner. So what is Marie, then? Her continual comments that she. Cheat on Paul suggest that it. Mind-body relation, but to see as man...
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Over-democratization | World Aesthetics
https://worldscreenblog.wordpress.com/2007/08/22/over-democratization
A blog of unfinished thoughts on film and theory. Never mind how we kill each other. How do we talk about it? The alteration of perception (* Separate assessment* ). August 22, 2007. Aesthetics exists in ‘the world of perception and experience’ and demands its own language, its own logic, outside of a broader recognition of reason (Eagleton 16). It is related to affect, something which is precognitive, but can only be grasped fully with the interception of thought after the event. Benjamin’s explan...
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October | 2007 | World Aesthetics
https://worldscreenblog.wordpress.com/2007/10
A blog of unfinished thoughts on film and theory. Archive for October, 2007. 8216;Flesh is the common ground of all being’. October 10, 2007. The sexual act for her is something given- bodies are made to have sex, so they should. She is angry that even though Paul (Sagamore Stévenin) can have sex he won’t, that he won’t fulfil his subject-role as her sexual partner. So what is Marie, then? Her continual comments that she. Cheat on Paul suggest that it. Mind-body relation, but to see as many relations as ...