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The Hap In Happenstance: Nuala Gregory

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The Hap In Happenstance. Notes on Contemporary Painting, Everyday Life, Chance, Ambiguity, and the Pleasures of Seeing. Nuala Gregory detail from Exploded View wall installation 2010. 8220;Post-medium and post-conceptual theories of art suggest that painting is not so much dead as posthumous, enduring an unending afterlife. Its achievement is certain but insufficiently understood, and so it lingers on (as embarrassment, enigma, or happy commodity) in the digital age.”. Subscribe to: Post Comments (Atom).

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The Hap In Happenstance: Ellen Gallagher

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The Hap In Happenstance. Notes on Contemporary Painting, Everyday Life, Chance, Ambiguity, and the Pleasures of Seeing. Ellen Gallagher oogaboogah 1994. 8220;Although the techniques which Gallagher invented or reinvented for. Herself are labor intensive, the finished work is sprightly and full of visual wit. Agnes Martin may be in the background, but Paul Klee and Jean Arp skitter across the foreground at unpredictable intervals. At times this antic quality and the full. Subscribe to: Post Comments (Atom).

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The Hap In Happenstance: Richard Rorty

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The Hap In Happenstance. Notes on Contemporary Painting, Everyday Life, Chance, Ambiguity, and the Pleasures of Seeing. Micky Donnelly Untitled #4 2011 Oil on Fabric on Canvas. In other words, every accepted description of our world - religious, artistic, ideological, philosophical, and scientific - is never completely trustworthy and is open to question. Subscribe to: Post Comments (Atom). Http:/ www.mickydonnelly.com. View my complete profile. Simple template. Powered by Blogger.

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The Hap In Happenstance: Amy Sillman

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The Hap In Happenstance. Notes on Contemporary Painting, Everyday Life, Chance, Ambiguity, and the Pleasures of Seeing. Amy Sillman Bed 2006. 8220;Painting is a physical thinking process to continue an interior dialogue, a way to engage in a kind of internal discourse, or sub-linguistic mumbling…”. Subscribe to: Post Comments (Atom). Http:/ www.mickydonnelly.com. Artist and writer. More information on my work can be found on the website link above. View my complete profile.

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The Hap In Happenstance: Noam Chomsky

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The Hap In Happenstance. Notes on Contemporary Painting, Everyday Life, Chance, Ambiguity, and the Pleasures of Seeing. Micky Donnelly from Mapping The Days 2008/2010. Subscribe to: Post Comments (Atom). Http:/ www.mickydonnelly.com. Artist and writer. More information on my work can be found on the website link above. View my complete profile. Simple template. Powered by Blogger.

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The Hap In Happenstance: Raymond Carver

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The Hap In Happenstance. Notes on Contemporary Painting, Everyday Life, Chance, Ambiguity, and the Pleasures of Seeing. Micky Donnelly Proposition #13 2008/2010 Oil on Fabric on Canvas. What You Need for Painting. From a letter by Renoir. Indifference to everything except your canvas. The ability to work like a locomotive. Subscribe to: Post Comments (Atom). Http:/ www.mickydonnelly.com. Artist and writer. More information on my work can be found on the website link above. View my complete profile.

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The Hap In Happenstance: Thomas Nozkowski

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The Hap In Happenstance. Notes on Contemporary Painting, Everyday Life, Chance, Ambiguity, and the Pleasures of Seeing. Thomas Nozkowski Untitled 1983. 8220;With Nozkowski, abstraction becomes an endless adventure in structure, texture, tone and mood. To all evidence, his imagination appears encyclopaedic within the nar­. Row parameters of the fixed plane. For a strictly non-specific communicator, his pictures. Catalogue of types, a never-ending sequence of character studies under a regime of.

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The Hap In Happenstance: James Elkins

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The Hap In Happenstance. Notes on Contemporary Painting, Everyday Life, Chance, Ambiguity, and the Pleasures of Seeing. Willem De Kooning Untitled 1983. Subscribe to: Post Comments (Atom). Http:/ www.mickydonnelly.com. Artist and writer. More information on my work can be found on the website link above. View my complete profile. Simple template. Powered by Blogger.

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The Hap In Happenstance: Juan Usle

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The Hap In Happenstance. Notes on Contemporary Painting, Everyday Life, Chance, Ambiguity, and the Pleasures of Seeing. Juan Usle Historia con tres nudos 1997. 8220;After a visit to Nepal in I989, Usle resolved that:. 8216; henceforth he would never repeat a painting. Instead of style there. Would be attentiveness to the moment. Instead of signature, naturalness.’. The early modernists and most of Usle's contemporaries found and then. Brushstrokes of late De Kooning, Newman's zips, Picabia's early machine.