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HomeEstablishing internationally-recognised principles for the use of computer-based visualisation by researchers, educators and cultural heritage organisations.
http://www.londoncharter.org/
Establishing internationally-recognised principles for the use of computer-based visualisation by researchers, educators and cultural heritage organisations.
http://www.londoncharter.org/
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Establishing internationally-recognised principles for the use of computer-based visualisation by researchers, educators and cultural heritage organisations.
londoncharter.org
Objectives
http://www.londoncharter.org/objectives.html
The London Charter seeks to establish principles for the use of computer-based visualisation methods and outcomes in the research and communication of cultural heritage in order to:. Having widespread recognition among stakeholders. Promote intellectual and technical rigour. Ensure that computer-based visualisation processes and outcomes can be properly understood and evaluated. Enable computer-based visualisation authoritatively to contribute. Ensure access and sustainability strategies.
Introduction
http://www.londoncharter.org/introduction.html
A New Introduction to the London Charter. This is a HTML version of: Denard, Hugh A New Introduction to the London Charter in A. Bentkowska-Kafel, D. Baker and H. Denard (eds.) Paradata and Transparency in Virtual Heritage. Digital Research in the Arts and Humanities Series (Ashgate, 2012) 57-71. Ashgate 2012. Reproduced by permission. An earlier introduction, by Beacham, Denard and Niccolucci, from The E-volution of ICTechnology in Cultural Heritage. Has proven to many readers an essential starting poin...
Preamble
http://www.londoncharter.org/preamble.html
The London Charter seeks to capture, and to build, a consensus on these and related issues in a way that demands wide recognition and an expectation of compliance within relevant subject communities. In doing so, the Charter aims to enhance the rigour with which computer-based visualisation methods and outcomes are used and evaluated in heritage contexts, thereby promoting understanding and recognition of such methods and outcomes. 2009 londoncharter.org - xhtml.
People
http://www.londoncharter.org/people.html
Department of Digital Humanities. London WC2B 5RL, UK. E-mail: beadav AT aol.com. Chair, Interim Governing Board. Science and Technology in Archaeology Research Center (STARC). Nicosia 1645, Cyprus. E-mail: franco.niccolucci AT gmail.com. Editor and Joint Coordinator. Assistant Professor in Digital Arts and Humanities, Trinity College Dublin. Lecturer in Digital Humanities, King's College London (on temporary leave). School of Histories and Humanities. College Green, Dublin 2. Tel: 353(0) 1 896 3193.
Glossary
http://www.londoncharter.org/glossary.html
The following definitions explain how terms are used within The London Charter. They are not intended to be prescriptive beyond that function. The process of visually representing information with the aid of computer technologies. The systematic application, usually in a research context, of computer-based visualisation in order to address identified aims. An outcome of computer-based visualisation, including but not limited to digital models, still images, animations and physical models. All information...
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MOtOlab: progetto di ricerca
http://mattatoioroma.blogspot.com/p/progetto.html
MOtO Mattatoio One to One. Richiedente - responsabile del progetto: Francesco Careri. Titolo del progetto: Progetto Mattatoio: Ricerche e azioni verso la creazione del Centro Documentazione Sistema Mattatoio Testaccio (AUT - Archivio Urbano Testaccio) e del laboratorio strumentale (MOtO – Mattatoio One To One). Durata totale prevista: 2 anni. Finanziamento: 11.000 euro. M M Segarra Lagunes. 1) Obiettivi e metodologie. Di diverse culture cittadine. Due i filoni e metodologie principali:. Studio, ricerca e...
3DVISA
http://3dvisa.cch.kcl.ac.uk/news.html
Index of 3D Projects. Since the inception of the 3D Visualisation in the Arts Network. 3DVisA) in May 2006, its staff have been involved in a number of events and activities. This section contains information about some of these events. The most recent information appears at the top of the listing. Please note this page is no longer maintained. 14 December 2007. Matt Jones wins the 3DVisA Student Award. 26th November 2007, The London Charter: Development, Implementation and Advocacy. 19 June 2007. Fr...
Abbey Theatre, 1904 » Getting started…
http://blog.oldabbeytheatre.net/archives/13
Abbey Theatre, 1904. Digitally reconstructing Dublin's original Abbey Theatre. 8212; posted by Hugh Denard on January 10, 2011 @ 5:51 pm. In 1904, Annie Horniman acquired the Hibernian Theater of Varieties (commonly known as the Mechanics’ Theatre) on Lower Abbey Street, Dublin for the use of the Irish National Theatre Society. On Baile’s Strand. By W B. Yeats,. By Yeats and Lady Gregory, and Lady Gregory’s. The “old” Abbey Theatre remained in use until damaged by fire in 1951. Because there will inevita...
whatsignifiesatheatre.wordpress.com
WSAT? Newsletter July 2012 | 'What signifies a theatre?'
https://whatsignifiesatheatre.wordpress.com/2012/07/16/wsat-newsletter-2-2
039;What signifies a theatre? Private Theatricals, 1780-1820. 3 Private Theatricals and Amateur Dramatics in Britain and Abroad. On Saturday 7 July 2012, while the Gay Pride march made its own kind of theatre in the streets around us, we met for the third conference in the series, ‘What signifies a theatre? Our venue was the grand home of the University of Notre Dame in London, a site which helped us imagine the Richmond House theatricals of 1787 when the Artifice theatre company performed Arthur Murphy’s.
lisbon-pre-1755-earthquake.org
Ancient Lisbon Royal Opera House | Lisbon Pre 1755 Earthquake
https://lisbon-pre-1755-earthquake.org/ancient-lisbon-royal-opera-house
Ancient Lisbon Royal Opera House. 23 March, 2014. 27 May, 2016. The Lisbon Royal Opera House destroyed by the great earthquake of the 1st November 1755 – exteriors and interiors. Modellation still in progress. Centre for Art History and Artistic Research (CHAIA), University of Évora, Portugal. Lisbon 31st October 1755: the city imaginary museum. Leave a Reply Cancel reply. O terramoto de Lisboa em 1755/The Lisbon 1755 Earthquake. NISEE page on the Lisbon 1755 Earthquake. 11th International Conference on ...
e-Portfolio: noviembre 2012
http://e-portfolioseav.blogspot.com/2012_11_01_archive.html
Sistemas Mixtos o Aumentados. Virtual Museum Transnational Network. Con la tecnología de Blogger. Lunes, 26 de noviembre de 2012. Posted by Lourdes G. Cerezuela. El desarrollo de módulos para integrar herramientas procedentes de videojuegos serios (con contenido histórico ó cultural) es el próximo reto a abordar en relación con la documentación y recreación de entornos patrimoniales y, de una forma más específica, de yacimientos arqueológicos Francisco Javier Finat and José Martínez. Familiarizarse con l...
lisbon-pre-1755-earthquake.org
Image Gallery | Lisbon Pre 1755 Earthquake
https://lisbon-pre-1755-earthquake.org/image-gallery
These images are an initial sketch of the Royal Palace, Royal Garden, Clock Tower, Opera House and Patriarchal Piazza. Location: western side of the Palace Courtyard. Detail modelling has been made with regard to the Garden, Clock Tower, Opera House exterior walls and Patriarchal Piazza (added September 11, 2009 and changed May 2010, July 2010 and May 2012). Adding information spots on the major buildings and a "virtual museum" explaining the context of the 1755 earthquake. Ribeira das Naus October 2012.
3DVISA
http://3dvisa.cch.kcl.ac.uk/TLC.html
Index of 3D Projects. Is the Secretariat of The London Charter. For the use of 3-dimensional Visualisation in the Research and Communication of Cultural Heritage. The London Charter seeks to establish principles for the use of 3d visualisation methods and outcomes in the research and communication of cultural heritage in order to:. Provide a benchmark having widespread recognition among stakeholders. Promote intellectual and technical rigour in such uses. Stimulate debate on methodological issues. Numero...
visualizationparadata.wordpress.com
7 | PARADATA
https://visualizationparadata.wordpress.com/7-2
A volume of essays in the AHRC ICT Methods Network series, Digital Arts and Humanities, Ashgate 2012. Conventions and Emerging Standards. The London Charter for the Computer-based Visualisation of Cultural Heritage. SEE THE LONDON CHARTER WEBSITE. FOR FULL TEXT IN ENGLISH, GERMAN, ITALIAN, POLISH and SPANISH. The principles of the London Charter are valid wherever computer-based visualisation is applied to the research or dissemination of cultural heritage. Principle 2 – Aims and Methods. The creation an...
visualizationparadata.wordpress.com
1 | PARADATA
https://visualizationparadata.wordpress.com/1-2
A volume of essays in the AHRC ICT Methods Network series, Digital Arts and Humanities, Ashgate 2012. By Anna Bentkowska-Kafel and Hugh Denard. Heritage visualization is considered here as a process of representing knowledge about space, time, behaviour, sound and light, and other elements that constitute cultural environments. What can visualization-based research processes uniquely achieve? What is the value, in different contexts, of simplified and inexpensive visualization versus expensive and photo-...
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London Charity Orchestra | music making a difference
Music making a difference. Committee Access – private. A Service of Thanksgiving for The London Taxidrivers’ Fund. 85 Years Helping Children With Special Needs. St Paul’s Cathedral, 10th October 2013. Please see our concerts page. The London Charity Orchestra. Is a not-for-profit organisation raising money for charity through public performance. If you represent a charity and would like to know more about the LCO then please write to info@lco.org.uk. You can find out about forthcoming concerts here.
Feel, think, do – Thoughts about consumer behaviour, advertising & digital
Feel, think, do. Thoughts about consumer behaviour, advertising and digital. Our days are filled with countless decisions and the consequences of these decisions. And if this is not already hard enough by itself, companies and organisations try to influence our choices through marketing and advertising. But how do we decide? How rational are our choices? How do we sell our own products services and ideas to others? Things I’ve done. Things I’ve liked. Things I’ve thought. Follow Blog via Email.
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For the Computer-Based Visualisation of Cultural Heritage. Establishing internationally-recognised principles for the use of computer-based visualisation by researchers, educators and cultural heritage organisations. A New Introduction to The London Charter. The London Charter (2.1, February 2009). The Future of the Virtual Past. London Charter Workshop, Cambridge, 23 February 2017. By Kelemen, Kavanagh, Szenes and Rácz is revised, March 2016. Is created by Kelemen, Kavanagh, Szenes and Rácz, October 2014.
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