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Short biography | Mario De Leo
http://www.mariodeleo.it/short-biography
Skip to primary content. Skip to secondary content. With ethnomusicologist and actor Moni Ovadia he founded the cooperative l’Orchestra , leading to his encounter with popular music scholar Michele Straniero, with whom he founded the Studio Nazionale di Musica Etnica. Some of the artist’s works are permanently exhibited at Italian and overseas galleries such as the Young Museum in Revere (Mantua), the civic gallery of Ruffano (Lecce), Castello di Sartirana (painting acquired under suggestion of italian s...
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Critic | Mario De Leo
http://www.mariodeleo.it/critic
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Alik Cavaliere | Mario De Leo
http://www.mariodeleo.it/critic/alik-cavaliere
Skip to primary content. Skip to secondary content. Once Mario De Leo’s need to communicate. Flowed from song and music. For many years now he has used these means to narrate his dreams :. Visual, precise, tangibleIn a changed way,. His voice has become (or does it only appear so? Tauter, more conscious,. In his anxiety to recount, to involve, to take part. In a break/non break in time. Proudly powered by WordPress.
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Francesca Alfano Miglietti | Mario De Leo
http://www.mariodeleo.it/critic/francesca_alfano_miglietti_
Skip to primary content. Skip to secondary content. MARIO DE LEO: THE BROKEN ROOTS. Mechanisms. And they are mechanism, the universes reproduced by Mario De Leo, printed and weld circuits, electronic components, condensers, a dimension that shows at the same time the inside and the outside of one brain, being it human or electronic. Francesca Alfano Miglietti, 1994. Proudly powered by WordPress.
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Marina De Stasio | Mario De Leo
http://www.mariodeleo.it/critic/marina-de-stasio
Skip to primary content. Skip to secondary content. De Leo again returns, at times only allusively, to printed circuits, as ever inexhaustible source of inspiration for the work of an artist, objects of modernity perhaps already things of the past, already sinking into the realm of industrial archaeology. It appears that the artist wishes to find a point of reconciliation between tradition and the. Proudly powered by WordPress.
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Scus’ tant’ | Mario De Leo | Mario De Leo
http://www.mariodeleo.it/music
Skip to primary content. Skip to secondary content. From Mario De Leo. Proudly powered by WordPress.
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Claudio Rizzi | Mario De Leo
http://www.mariodeleo.it/critic/claudio-rizzi
Skip to primary content. Skip to secondary content. A technological peasant is how he defines himself. A self-portrait in a nutshell. But when talking to him a kind of poetry emerges. The equation is summed up in the concept of peasant deeply rooted in the ground and the meaning of technology as a historical process. The technological peasant metaphor indicates a genetically nourished soul straining towards a reading of the world in a topical dimension. From the revival of the musical tradition of a regi...
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Moni Ovadia | Mario De Leo
http://www.mariodeleo.it/critic/moni-ovadia
Skip to primary content. Skip to secondary content. A ballad singer that lives for art. How many people can say they have become acquainted a ballad singer? And how many of them can say they are able to recognize a ballad singer? Mario has a very particular face, a merging of popular traits and the beauty of a Byzantine mosaic. Proudly powered by WordPress.
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Luigi Bianco | Mario De Leo
http://www.mariodeleo.it/critic/luigi-bianco
Skip to primary content. Skip to secondary content. De Leo is grace. Poor by artistic and civil choice. To take it further: Not grace in the sense of that gracious module out of which fragile champions of aesthetics such as Treccani or, on the contrary, intelligent creators like Munari, have made their fortune. Inevitably, drastically: grace as a state of grace. A state of grace which draws on an extraordinary inner spirituality that materialises in work created with poor materials. To make it explode.
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