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Historia Literaria VII

Domingo, 19 de mayo de 2013. The art of losing isn't hard to master;. So many things seem filled with the intent. To be lost that their loss is no disaster,. Lose something every day. Accept the fluster. Of lost door keys, the hour badly spent. The art of losing isn't hard to master. Then practice losing farther, losing faster:. Places, and names, and where it was you meant. To travel. None of these will bring disaster. I lost my mother's watch. And look! My last, or. I miss them, but it wasn't a disaster.

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Historia Literaria VII | historialiterariasiete.blogspot.com Reviews

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Domingo, 19 de mayo de 2013. The art of losing isn't hard to master;. So many things seem filled with the intent. To be lost that their loss is no disaster,. Lose something every day. Accept the fluster. Of lost door keys, the hour badly spent. The art of losing isn't hard to master. Then practice losing farther, losing faster:. Places, and names, and where it was you meant. To travel. None of these will bring disaster. I lost my mother's watch. And look! My last, or. I miss them, but it wasn't a disaster.

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Historia Literaria VII | historialiterariasiete.blogspot.com Reviews

https://historialiterariasiete.blogspot.com

Domingo, 19 de mayo de 2013. The art of losing isn't hard to master;. So many things seem filled with the intent. To be lost that their loss is no disaster,. Lose something every day. Accept the fluster. Of lost door keys, the hour badly spent. The art of losing isn't hard to master. Then practice losing farther, losing faster:. Places, and names, and where it was you meant. To travel. None of these will bring disaster. I lost my mother's watch. And look! My last, or. I miss them, but it wasn't a disaster.

INTERNAL PAGES

historialiterariasiete.blogspot.com

1

Historia Literaria VII: e.e. cummings

http://historialiterariasiete.blogspot.com/2013/05/ee-cummings_11.html

Sábado, 11 de mayo de 2013. Kitty". sixteen, 5' 11", white, prostitute. Kitty". sixteen, 5' 11", white, prostitute. Ducking always the touch of must and shall,. Whose slippery body is Death's littlest pal,. Skilled in quick softness. Unspontaneous. cute. The signal perfume of whose unrepute. Focusses in the sweet slow animal. Bottomless eyes importantly banal,. Kitty a whore. Sixteen. Amused from time to time by clever drolls. Fearsomely who do keep their sunday flower. Common divisor of unequal souls.

2

Historia Literaria VII: Adrienne Rich

http://historialiterariasiete.blogspot.com/2013/05/adrienne-rich.html

Domingo, 19 de mayo de 2013. Diving Into the Wreck. First having read the book of myths,. And loaded the camera,. And checked the edge of the knife-blade,. I put on the body-armor of black rubber. The grave and awkward mask. I am having to do this. Not like Cousteau with his. Aboard the sun-flooded schooner. There is a ladder. The ladder is always there. Close to the side of the schooner. We know what it is for,. We who have used it. It's a piece of maritime floss. Rung after rung and still. Worn by salt...

3

Historia Literaria VII: enero 2012

http://historialiterariasiete.blogspot.com/2012_01_01_archive.html

Sábado, 14 de enero de 2012. READING LIST: HISTORIA LITERARIA VII* 2012-2. Charles Johnson (1948-): Middle Passage (core text). H James (1843-1916): ‘The Art of Fiction’. Gertrude Stein (1874-1946): ‘Composition as Explanation’. Toni Morrison (1931-): ‘Unspeakable Things Unspoken: The Afro-American Presence in American Literature’. Susan Sontag (1933-2004): ‘Against Interpretation’ (1966). Joan Didion (1934-): ‘On Self-Respect’. Alice Walker (1944-): ‘In Search of Our Mothers’ Gardens’. Wallace Stevens (...

4

Historia Literaria VII: On "antepalabra", "palabra total" and "pospalabra".

http://historialiterariasiete.blogspot.com/2013/04/normal-0-21-false-false-false-es-mx-x.html

Domingo, 28 de abril de 2013. On "antepalabra", "palabra total" and "pospalabra". El silencio en la poesía. 191;Al silencio se le considera un elemento útil en la construcción y desarrollo del poema por la ausencia de la palabra, hasta su aparición, que es cuando nos remite a la presencia de las cosas? En la lectura de un poema efectuado por el lector, donde además de intentar. Que parte de: Ai aia aia. Y aparece como una pausa constante en medio 66 líneas y culmina en el balbuceo hasta llegar al fin, al...

5

Historia Literaria VII

http://historialiterariasiete.blogspot.com/2013/05/a-grave-man-looking-into-sea-taking.html

Jueves, 2 de mayo de 2013. Man looking into the sea,. Taking the view from those who have as much right to it as you have to it. It is human nature to stand in the middle of a thing,. But you cannot stand in the middle of this;. The sea has nothing to give but a well excavated grave. The firs stand in a procession, each with an emerald turkey-foot at the top,. Reserved as their contours, saying nothing;. Repression, however, is not the most obvious characteristic of the sea;. Networks of foam,. Literatur...

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Historia Literaria VII

Domingo, 19 de mayo de 2013. The art of losing isn't hard to master;. So many things seem filled with the intent. To be lost that their loss is no disaster,. Lose something every day. Accept the fluster. Of lost door keys, the hour badly spent. The art of losing isn't hard to master. Then practice losing farther, losing faster:. Places, and names, and where it was you meant. To travel. None of these will bring disaster. I lost my mother's watch. And look! My last, or. I miss them, but it wasn't a disaster.

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