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lightness, colouring, truth: Boredom And Bile Green
http://c-h-a-n-d-l-e-r.blogspot.com/2013/11/boredom-and-bile-green.html
Lightness, colouring, truth. Art How I teach it and how we learn it. Tuesday, 5 November 2013. Boredom And Bile Green. On my last painting holiday in Tuscany, I managed to produce this:. I painted it after one of Dermot and Kathryn's. This is a worthwhile idea, but only if we can bear to face up to our mistakes and without any unnecessary breast-beating, dwell on them a little, learn from them and move on. So what are the particular merits and de-merits of my own watercolour disaster? I want to paint?
c-h-a-n-d-l-e-r.blogspot.com
lightness, colouring, truth: Why Choose That?
http://c-h-a-n-d-l-e-r.blogspot.com/2013/06/why-choose-that.html
Lightness, colouring, truth. Art How I teach it and how we learn it. Tuesday, 25 June 2013. I judged the Black Swan Open Art competition. Recently, along with Irena Czapska. Director at Spike Print Studio in Bristol). Senior Lecturer in Critical Studies in Art and Design at Bath Spa University),. Photographer and Awards Manager at The Association of Photographers Limited in London). Sculptor and co-founder and curator of the Tool Shed gallery, Frome). So why," as one woman said to me, "choose that? Aptly...
c-h-a-n-d-l-e-r.blogspot.com
lightness, colouring, truth: August 2014
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Lightness, colouring, truth. Art How I teach it and how we learn it. Sunday, 17 August 2014. Verging On The Sublime. Just how do you fit a mountain on a sheet of watercolour paper? John Robert Cozens: Between Martigny and Chamonix. JMW Turner South gate of Sargans (after JRC). Nothing, however, could capture those vast expanses and wide skies quite as effectively as humble water soluble pigment on paper. Francis Towne: La Chaperieux. By why the pre-occupation with lofty crags and deep ravines? IPad Art S...
c-h-a-n-d-l-e-r.blogspot.com
lightness, colouring, truth: June 2014
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Lightness, colouring, truth. Art How I teach it and how we learn it. Sunday, 29 June 2014. From Pencil To Paint. Just how do we get from this. I think that painting today is pure intuition and luck.". Francis Bacon (1909-1992) on Matthew Smith. For most of us, our relationship with art begins in a disappointingly similar way. We begin with lines. We understand them. Lines describe things. They have definite boundaries. But colours blend and blur. Colour is exotic, complex, and psy...From Pencil To Paint.
c-h-a-n-d-l-e-r.blogspot.com
lightness, colouring, truth: October 2012
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Lightness, colouring, truth. Art How I teach it and how we learn it. Saturday, 6 October 2012. The Holburne Portrait Prize 2012. Mr Lindsay Clarke, author (acrylic on canvas). To see the prize-winning portraits, click here. Subscribe to: Posts (Atom). IPad Art Step-by-Step. here! Click the picture to listen to David's visual arts programme on FromeFM or tune in on 96.6 FM. Local courses in drawing and painting: Visit David Chandler's website. Painting holidays in tuscany. Yapp Brothers WIne Merchants.
c-h-a-n-d-l-e-r.blogspot.com
lightness, colouring, truth: Verging On The Sublime
http://c-h-a-n-d-l-e-r.blogspot.com/2014/08/verging-on-sublime.html
Lightness, colouring, truth. Art How I teach it and how we learn it. Sunday, 17 August 2014. Verging On The Sublime. Just how do you fit a mountain on a sheet of watercolour paper? John Robert Cozens: Between Martigny and Chamonix. JMW Turner South gate of Sargans (after JRC). Nothing, however, could capture those vast expanses and wide skies quite as effectively as humble water soluble pigment on paper. Francis Towne: La Chaperieux. By why the pre-occupation with lofty crags and deep ravines? Subscribe ...
c-h-a-n-d-l-e-r.blogspot.com
lightness, colouring, truth: The Ever-Fresh Pleasure of a Useless Occupation
http://c-h-a-n-d-l-e-r.blogspot.com/2015/04/the-ever-fresh-pleasure-of-useless.html
Lightness, colouring, truth. Art How I teach it and how we learn it. Tuesday, 14 April 2015. The Ever-Fresh Pleasure of a Useless Occupation. Le plaisir delicieux et toujours nouveau d'un occupation inutile.". Ravel inscribed these words by. Henri de Régnier on the title page of his score for. Valses Nobles et Sentimentales. The delicious and ever-fresh pleasure of a useless occupation. The words seemed particularly appropriate as I wandered aimlessly around Poitiers during the recent Easter holidays.
c-h-a-n-d-l-e-r.blogspot.com
lightness, colouring, truth: February 2013
http://c-h-a-n-d-l-e-r.blogspot.com/2013_02_01_archive.html
Lightness, colouring, truth. Art How I teach it and how we learn it. Tuesday, 26 February 2013. I gave this talk at TEDx Bradford On Avon last November and again, last weekend at TEDx Warminster School, with a few adjustments. I made the accompanying illustrations on the iPad using the Brushes 3 app, in real-time, as I spoke:. Let's begin at the end. I teach people how to paint and draw. I’ve done it for nearly twenty years now. And lots of people seem to want to do it, but it isn't easy. A highly intell...
c-h-a-n-d-l-e-r.blogspot.com
lightness, colouring, truth: November 2013
http://c-h-a-n-d-l-e-r.blogspot.com/2013_11_01_archive.html
Lightness, colouring, truth. Art How I teach it and how we learn it. Tuesday, 5 November 2013. Boredom And Bile Green. On my last painting holiday in Tuscany, I managed to produce this:. I painted it after one of Dermot and Kathryn's. This is a worthwhile idea, but only if we can bear to face up to our mistakes and without any unnecessary breast-beating, dwell on them a little, learn from them and move on. So what are the particular merits and de-merits of my own watercolour disaster? I want to paint?
c-h-a-n-d-l-e-r.blogspot.com
lightness, colouring, truth: June 2013
http://c-h-a-n-d-l-e-r.blogspot.com/2013_06_01_archive.html
Lightness, colouring, truth. Art How I teach it and how we learn it. Tuesday, 25 June 2013. I judged the Black Swan Open Art competition. Recently, along with Irena Czapska. Director at Spike Print Studio in Bristol). Senior Lecturer in Critical Studies in Art and Design at Bath Spa University),. Photographer and Awards Manager at The Association of Photographers Limited in London). Sculptor and co-founder and curator of the Tool Shed gallery, Frome). So why," as one woman said to me, "choose that? Aptly...
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