culturalmusicology.org culturalmusicology.org

culturalmusicology.org

Cultural Musicology iZine

The culturalmusicology.org website is a platform for publishing articles in, exchanging ideas about and especially exploring practices of cultural musicology. Navel-gazing, discussing the term, defining the boundaries is definitely not our core occupation, pros and contras are proscribed. The website is driven by a team that is currently being put together. Our aim is for…

http://www.culturalmusicology.org/

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Cultural Musicology iZine | culturalmusicology.org Reviews
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The culturalmusicology.org website is a platform for publishing articles in, exchanging ideas about and especially exploring practices of cultural musicology. Navel-gazing, discussing the term, defining the boundaries is definitely not our core occupation, pros and contras are proscribed. The website is driven by a team that is currently being put together. Our aim is for…
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2 author guidelines
3 conference
4 team
5 community
6 cultural musicology
7 conference program overview
8 conference program abstracts
9 articles
10 performing the orient
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Cultural Musicology iZine | culturalmusicology.org Reviews

https://culturalmusicology.org

The culturalmusicology.org website is a platform for publishing articles in, exchanging ideas about and especially exploring practices of cultural musicology. Navel-gazing, discussing the term, defining the boundaries is definitely not our core occupation, pros and contras are proscribed. The website is driven by a team that is currently being put together. Our aim is for…

INTERNAL PAGES

culturalmusicology.org culturalmusicology.org
1

A short report on the conference « Cultural Musicology iZine

https://culturalmusicology.org/a-short-report-on-the-conference

Participants of the conference. A short report on the conference. Rusha Roho in Zanzibar. Taraf de Haïdouks as Re-Gypsyfiers. Wim van der Meer. Aleksandra Marković – Sounding Stereotypes (in Goran Bregović). Raquo; A short report on the conference. A short report on the conference. Email: cultural musicology[at]gmail.com. Blog at WordPress.com. Follow “Cultural Musicology iZine”. Get every new post delivered to your Inbox. Join 31 other followers. Build a website with WordPress.com.

2

Participants of the conference « Cultural Musicology iZine

https://culturalmusicology.org/participants-of-the-conference

Participants of the conference. A short report on the conference. Rusha Roho in Zanzibar. Taraf de Haïdouks as Re-Gypsyfiers. Wim van der Meer. Aleksandra Marković – Sounding Stereotypes (in Goran Bregović). Raquo; Participants of the conference. Participants of the conference. Director, Department of Musicology, Georg August University, Gōttingen, Germany and Editor-in-chief of the journal The world of music (new series). Roll Over, Tchaikovsky: Russian Popular Music and Post-Soviet Homosexuality. Senio...

3

Draft papers « Cultural Musicology iZine

https://culturalmusicology.org/draft-papers

Participants of the conference. A short report on the conference. Rusha Roho in Zanzibar. Taraf de Haïdouks as Re-Gypsyfiers. Wim van der Meer. Aleksandra Marković – Sounding Stereotypes (in Goran Bregović). Raquo; Draft papers. These papers are all in draft form and. Not to be cited or otherwise used. Timothy Taylor The absence of culture in the study of music, or, culture as a cultural system. Stephen Amico Ethn[…]’s Elisions: Toward a Culturally Situated Musicology. Sarah Weiss Preliminary Thoughts on...

4

Q&A « Cultural Musicology iZine

https://culturalmusicology.org/qanda

Participants of the conference. A short report on the conference. Rusha Roho in Zanzibar. Taraf de Haïdouks as Re-Gypsyfiers. Wim van der Meer. Aleksandra Marković – Sounding Stereotypes (in Goran Bregović). Is cultural musicology a new term for ethnomusicology? I agree in principle with Seeger’s statement that we should extend “the techniques of ethnomusicology to the music of the Occident its fine, popular, and folk arts, regarded as one integrated unit.” I favor the. Of an “ethnomusicology&#8221...

5

April 10: Buddhism as Performing Art (Tibet) « Cultural Musicology iZine

https://culturalmusicology.org/april-10-tibet

Participants of the conference. A short report on the conference. Rusha Roho in Zanzibar. Taraf de Haïdouks as Re-Gypsyfiers. Wim van der Meer. Aleksandra Marković – Sounding Stereotypes (in Goran Bregović). Raquo; April 10: Buddhism as Performing Art (Tibet). April 10: Buddhism as Performing Art (Tibet). Time: April 10, 2015, 15-18 h. Place: PCHoofthuis room 440 (4th floor), Spuistraat 134, Amsterdam. Email: cultural musicology[at]gmail.com. Create a free website or blog at WordPress.com.

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musicology-uva.blogspot.com musicology-uva.blogspot.com

Department of Musicology: Resisting Cultural Commodification: Maskanda Music as Discourse of Power in Post-Apartheid South Africa

http://musicology-uva.blogspot.com/2013/10/resisting-cultural-commodification.html

MUSICOLOGY AT THE UNIVERSITY OF AMSTERDAM. Resisting Cultural Commodification: Maskanda Music as Discourse of Power in Post-Apartheid South Africa. October 16, 15:30-17:00. Universiteitstheater, Nieuwe Doelenstraat 16, room 3.01. BA Musicology (in Dutch). Conference MA Musicology Graduates: 25 October 10:. Resisting Cultural Commodification: Maskanda Music. Contact: s.muziekwetenschap-fgw@uva.nl. Simple template. Powered by Blogger.

musicology-uva.blogspot.com musicology-uva.blogspot.com

Department of Musicology: Balinese Gamelan Semar Pagulingan speelklaar in Universiteitstheater

http://musicology-uva.blogspot.com/2014/09/balinese-gamelan-semar-pagulingan.html

MUSICOLOGY AT THE UNIVERSITY OF AMSTERDAM. Balinese Gamelan Semar Pagulingan speelklaar in Universiteitstheater. Vanaf 1 september 2014 is de Opleiding Muziekwetenschap van de Universiteit van Amsterdam de trotse gebruiker van een zeldzame zeventoons Gamelan Semar Pagulingan van het Indonesische eiland Bali. De gamelan is onlangs opgesteld in de kelder van het Universiteitstheater aan de Nieuwe Doelenstraat met uitzicht op de Amstel. BA Musicology (in Dutch). Jazz Beyond Borders congres, 4-7 september.

musicology-uva.blogspot.com musicology-uva.blogspot.com

Department of Musicology: MA Graduate Conference 2014

http://musicology-uva.blogspot.com/2014/10/ma-graduate-conference-2014.html

MUSICOLOGY AT THE UNIVERSITY OF AMSTERDAM. MA Graduate Conference 2014. Friday 24 October, 14:00-17:00. Oudemanhuispoort, room F 0.02. Everything is coming together: the interrelationship between repetitiveness, modern (recording) technology and music in 21st-century electronic dance music. This thesis focuses on the interrelation between repetitiveness, (recording) technology and the practice of music by closely looking at the Digital Audio Workstation (DAW) Ableton Live. My master thesis, titled &#8220...

musicology-uva.blogspot.com musicology-uva.blogspot.com

Department of Musicology: Staging and Negating Schoenberg’s Moses und Aron: Representing a Representation of the Unrepresentable

http://musicology-uva.blogspot.com/2015/03/staging-and-negating-schoenbergs-moses.html

MUSICOLOGY AT THE UNIVERSITY OF AMSTERDAM. Staging and Negating Schoenberg’s Moses und Aron: Representing a Representation of the Unrepresentable. Dr Mark Berry (Royal Holloway, University of London). 16 april, 15:30-17:00. Universiteitstheater, Nieuwe Doelenstraat 16, zaal 3.01. In this lecture, I shall look at perhaps the most theological of all operas, Schoenberg’s Moses und Aron. The very word incorporating Bild. Consideration of some productions of Moses und Aron. BA Musicology (in Dutch).

musicology-uva.blogspot.com musicology-uva.blogspot.com

Department of Musicology: Performing the Orient: Edward Said’s Aida

http://musicology-uva.blogspot.com/2014/05/performing-orient-edward-saids-aida.html

MUSICOLOGY AT THE UNIVERSITY OF AMSTERDAM. Performing the Orient: Edward Said’s Aida. May 15, 15:30-17:00. Universiteitstheater, Nieuwe Doelenstraat 16, room 3.01. Since the publication of Edward Said’s essay on Verdi’s Aida. The relations between this opera and its colonial context have been much debated. Although these relations are usually approached from a historical perspective, I will argue that it is necessary for musicology to reflect on the contemporary position Aida. BA Musicology (in Dutch).

musicology-uva.blogspot.com musicology-uva.blogspot.com

Department of Musicology: Voicing, Listening, and Public Feeling: from fado to canção de protesto in Lisbon, Portugal

http://musicology-uva.blogspot.com/2014/09/voicing-listening-and-public-feeling_25.html

MUSICOLOGY AT THE UNIVERSITY OF AMSTERDAM. Voicing, Listening, and Public Feeling: from fado to canção de protesto in Lisbon, Portugal. October 16, 15:30-17:00. Universiteitstheater, Nieuwe Doelenstraat 16, room 3.01. For many participants in Lisbon’s fado. Worlds, the term fadista. Refers to both one who sings and one who knows how to listen; through listening one enters into the affective, poetic, and performative sound world of fado, mind, body and soul. Duke University Press, 2013) . De protesto....

musicology-uva.blogspot.com musicology-uva.blogspot.com

Department of Musicology: “Eine dürftige Geschichte”; Arminius and the Failure of German Liberation Opera (1815-1848)

http://musicology-uva.blogspot.com/2015/03/eine-durftige-geschichte-arminius-and.html

MUSICOLOGY AT THE UNIVERSITY OF AMSTERDAM. 8220;Eine dürftige Geschichte” Arminius and the Failure of German Liberation Opera (1815-1848). 12 maart, 15:30-17:00. Universiteitstheater, Nieuwe Doelenstraat 16, zaal 3.01. BA Musicology (in Dutch). Staging and Negating Schoenberg’s Moses und Aron: . 8220;Eine dürftige Geschichte” Arminius and the Failu. Contact: s.muziekwetenschap-fgw@uva.nl. Simple template. Powered by Blogger.

musicology-uva.blogspot.com musicology-uva.blogspot.com

Department of Musicology: Arabic Music in Western Ears: An Account of the Music of the Hejaz at the Turn of the Twentieth Century

http://musicology-uva.blogspot.com/2013/09/arabic-music-in-western-ears-account-of.html

MUSICOLOGY AT THE UNIVERSITY OF AMSTERDAM. Arabic Music in Western Ears: An Account of the Music of the Hejaz at the Turn of the Twentieth Century. September 19, 15:30-17:00. Universiteitstheater, Nieuwe Doelenstraat 16, zaal 3.01. And in his commentary on some songs included in his collection of wax cylinders. Firstly, the views of Guillaume-Andr. Villoteau (1759-1839) and Edward Lane (. BA Musicology (in Dutch). Congres Nieuwe Masters Musicologie 25/10/2013.

musicology-uva.blogspot.com musicology-uva.blogspot.com

Department of Musicology: What does it mean to have a “good ear”?: Transfer of learning from musical training to perception of audio-visual materials

http://musicology-uva.blogspot.com/2014/02/what-does-it-mean-to-have-good-ear.html

MUSICOLOGY AT THE UNIVERSITY OF AMSTERDAM. What does it mean to have a “good ear”? Transfer of learning from musical training to perception of audio-visual materials. February 20, 2014, 15:30-17:00. Universiteitstheater, Nieuwe Doelenstraat 16, room 3.01. Our recent findings will be presented and discussed. BA Musicology (in Dutch). Sounding Stereotypes: Construction of Place and Re. What does it mean to have a “good ear”?

musicology-uva.blogspot.com musicology-uva.blogspot.com

Department of Musicology: “Onze kut-subcultuur-shit-muziek”: Dutch improvised music and the politics of (self-)representation

http://musicology-uva.blogspot.com/2013/11/onze-kut-subcultuur-shit-muziek-dutch.html

MUSICOLOGY AT THE UNIVERSITY OF AMSTERDAM. 8220;Onze kut-subcultuur-shit-muziek”: Dutch improvised music and the politics of (self-)representation. December 12, 15:30-17:00. Universiteitstheater, Nieuwe Doelenstraat 16, zaal 3.01. BA Musicology (in Dutch). 8220;Onze kut-subcultuur-shit-muziek”: Dutch improvise. Composing inside electronics – The Music of David . Contact: s.muziekwetenschap-fgw@uva.nl. Simple template. Powered by Blogger.

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Cultural Musicology iZine

Participants of the conference. A short report on the conference. Rusha Roho in Zanzibar. Taraf de Haïdouks as Re-Gypsyfiers. Wim van der Meer. Aleksandra Marković – Sounding Stereotypes (in Goran Bregović). The culturalmusicology.org website. The iZine: scholarly articles. The blog: short notes. Inviting debate and discussion. Commentaries on any of the above. Held January 24-25, 2014 in Amsterdam. Webmaster and chief editor: Wim van der Meer (see team). April 20, 2016. March 11, 2016.

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