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Coleman's Corner in Cinema...: July 2010

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Coleman's Corner in Cinema. Stimulating analysis of "classic" and "contemporary" cinema. Thursday, July 15, 2010. Is the anti-superhero superhero movie with a genuine antihero (not the Dirty Harry-like ruffian typically associated with the term but the Camusian definition of such), a quarter-lazy, quarter-crazy, quarter-bored and quarter-decent guy in Tony Stark played by a nearly sheepish Robert Downey, Jr. The. At its most ambitious strives to be some kind of engaging balancing act between offering hag...

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Coleman's Corner in Cinema...: Sleepless Soliloquy

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Coleman's Corner in Cinema. Stimulating analysis of "classic" and "contemporary" cinema. Wednesday, October 28, 2009. A most disquieting sensation caresses the forehead; cool air, as though it were breathed from a malevolent, hovering demon, funnels downward. Eyes dart about in directionless frenzy. A finger nervously twitches. The heart begins to race. Resolute rejection of the tormentors and unusually brave determination to close the eyes and disregard the angagic onslaught follow. Prayer remains a...

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Coleman's Corner in Cinema...: May 2010

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Coleman's Corner in Cinema. Stimulating analysis of "classic" and "contemporary" cinema. Thursday, May 6, 2010. Two reasons to celebrate and remember this day, May 6, 2010: it's the 79th birthday of one of the greatest baseball players of all time, Willie Mays, and it's the two-year anniversary of the creation of this blog. I'm just about to begin working on a special, significant piece for Coleman's Corner in Cinema very soon. Thank you, dear reader! Coleman's Corner in Cinema. Subscribe to: Posts (Atom).

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Coleman's Corner in Cinema...: March 2010

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Coleman's Corner in Cinema. Stimulating analysis of "classic" and "contemporary" cinema. Monday, March 1, 2010. The singular communal experience of partaking in the sights and sounds of the cinema will not merely pass away, as has been predicted by far too many for too long now. The cinema, and the unique role of it in modern society, will endure for as long as we take the enchanting and wondrous odyssey. Coleman's Corner in Cinema. Subscribe to: Posts (Atom). Coleman's Corner in Cinema. Film for the Soul.

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Coleman's Corner in Cinema...: Shadows (1959)

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Coleman's Corner in Cinema. Stimulating analysis of "classic" and "contemporary" cinema. Friday, June 27, 2008. John Cassavetes' first film,. 1959), is something of a mutation, and that is not a criticism. Cassavetes screened. Form, however, received a good deal of acclaim when it was released in 1959. Feeling like a warmer, even more pared-down cousin of Stanley Kubrick's. 1955) and Martin Scorsese's. Who's That Knocking at My Door? Both feel borrowed from- but they aren't at all, as the release date of.

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Coleman's Corner in Cinema...: Eternal Sunshine of the Spotless Mind (2004)

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Coleman's Corner in Cinema. Stimulating analysis of "classic" and "contemporary" cinema. Friday, February 13, 2009. Eternal Sunshine of the Spotless Mind (2004). Is a holiday created by greeting card companies to make people feel like crap. So thinks Joel (Jim Carrey) in. Eternal Sunshine of the Spotless Mind. Eternal Sunshine of the Spotless Mind. Brilliant, Joel. Montauk in February. Eternal Sunshine of the Spotless Mind. Brain damage.” Possibly also carrying with it the papryological meaning...Where K...

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Coleman's Corner in Cinema...: June 2010

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Coleman's Corner in Cinema. Stimulating analysis of "classic" and "contemporary" cinema. Tuesday, June 15, 2010. Like all Martin Scorsese pictures, his newest,. Bringing Out the Dead. His personifications of brutish, unforgiving violence (Bill the Butcher in. Gangs of New York. Or Satanic depravity and unyielding narcissism (Frank Costello in. 8212;the latter of whom are each allowed to be viewed as seductive demons with Jack Nicholson's gangster explicitly uttering,. Who's That Knocking at My Door?

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Coleman's Corner in Cinema...: San Francisco Today, Mill Valley Tomorrow (and then Naturally the World)

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Coleman's Corner in Cinema. Stimulating analysis of "classic" and "contemporary" cinema. Monday, September 21, 2009. San Francisco Today, Mill Valley Tomorrow (and then Naturally the World). By Oren Moverman,. By Ancrea Arnold,. By Michael O. Scott and. The good people at the California Film Institute. Have informed me that I can only review one of these four films this week (. For more information about the Mill Valley Film Festival, please look here. Thread, that I. Coleman's Corner in Cinema. Wow, con...

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Coleman's Corner in Cinema...: The Hurt Locker (2009)

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Coleman's Corner in Cinema. Stimulating analysis of "classic" and "contemporary" cinema. Thursday, July 30, 2009. The Hurt Locker (2009). WARNING: MAJOR “PLOT POINTS” OF THIS FILM ARE DISCUSSED AND ANALYZED. 8220;[Kathryn] Bigelow is—most fittingly for a female director rightly celebrated for her breathtaking command of action—an expert fabulist of unlikely male bonding.”. So concluded this writer's review of. War is a drug. If James is like Bodhi or Bill Paxton's Severen from. S James is a man who has b...