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Charles Livingston Studio - Home

Installations of accumulated marks and aggregate forms imply the infinite in their endless repetition. Dense pieces generated from systematic activity offer an experience of existential expansion. At specific moments macrocosms appears out of a microcosms.

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Charles Livingston Studio - Home | charleslivingstonstudio.com Reviews
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Installations of accumulated marks and aggregate forms imply the infinite in their endless repetition. Dense pieces generated from systematic activity offer an experience of existential expansion. At specific moments macrocosms appears out of a microcosms.
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2 accretion
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4 art
5 interconnection
6 accumulate
7 organic
8 grid
9 repetition
10 catalyst
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Charles Livingston Studio - Home | charleslivingstonstudio.com Reviews

https://charleslivingstonstudio.com

Installations of accumulated marks and aggregate forms imply the infinite in their endless repetition. Dense pieces generated from systematic activity offer an experience of existential expansion. At specific moments macrocosms appears out of a microcosms.

INTERNAL PAGES

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1

Charles Livingston Studio - Home

http://www.charleslivingstonstudio.com/index.html

The material universe is seen as a dynamic web of interrelated events. None of the properties of any part of this web is fundamental;. They all follow from the properties of the other parts, and the overall consistency of their interrelations determines the structure of the. 8211; Fritjof Capra, The Web of Life.

2

Charles Livingston Studio - Accrete Variation Series

http://www.charleslivingstonstudio.com/select.html

Marks Striking a Vertical Surface. Twine and Tar Accretion. 6 Inch Drop Print. Accumulations and Variations I. Plane to Point and Line. 10 x 10 x 10. I Believe, I Think, I Make.

3

Charles Livingston Studio - Writings

http://www.charleslivingstonstudio.com/writing.html

The world, the real is not an object. It is a process. –. John Cage, For the Birds. When a series of similar forms accumulate or accrete they construct more complex patterns. This accumulation, a significant. Displacement of space is a process equating and most often exceeding the sum total of the individual parts. The process of accretion is located in simple day to day activities that require a series of repeatable tasks in order to form tangible. In what is not present or the spaces between causes a p...

4

Charles Livingston Studio - Media

http://www.charleslivingstonstudio.com/Media.html

Charles Livingston’s installations of accumulated marks and aggregate forms imply the infinite in their endless repetition. He. Both seeks and offers an experience of existential expansion as he generates dense pieces from simple systematic activity. We. Participate with him in an ironic mechanism; a macrocosm appears out of a microcosm of specific moments in which time,. Place, an self drop away. Monica Bock, Associate Professor of Art, University of Connecticut, 2004. That are intentionally void of ove...

5

Charles Livingston Studio - Links

http://www.charleslivingstonstudio.com/links.html

Cranearts.com. (2009). Oward a Better Existence. Inliquid.com. (2007). Andrea Kirsh’s Philadelphia Introduction. Live / Work: Performance into Drawing. Creativebehavior.com. (2004). Edwin Tofslie’s, The Organicgrid. January 27, 2004). Newmuseum.org. (2003). Living Inside the Grid. Adams, Carol J. (1993). Ecofeminism and the Sacred. New York: Continuum Publishing Company. Bell, Clive. (1949). London: Chatto and Windus. Berger, Maurice. (1989). Labyrinths, RobertMorris, Minimalism, and the 1960’s. Los Ange...

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craftblog: May 2009

http://denvercraft.blogspot.com/2009_05_01_archive.html

Sunday, May 24, 2009. Rebel with a Cause. Colorado Environmental Coalition is holding their Rebel with a Cause Gala. This Thursday, May 28th at the Seawell Ballroom. attend the event and bid on a special edition set of nine lives cards. In the silent auction. Is Colorado's voice for conservation since 1965. Subscribe to: Posts (Atom). There was an error in this gadget. Denver, CO, United States. View my complete profile. Rebel with a Cause. Art and craft links. Learning to love you more.

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craftblog: backlundanimalclinic.com web launch

http://denvercraft.blogspot.com/2009/07/backlundanimalcliniccom-web-launch.html

Monday, July 6, 2009. Backlundanimalclinic.com web launch. Website launched today. denvercraft designed the website, new logos, business cards, signs and marketing materials for Backlund Animal Clinic and their new service, Canine Rehabilitation and Wellness. Backlund Animal Clinic (Omaha, NE) provides professional and compassionate care for your pets. Subscribe to: Post Comments (Atom). There was an error in this gadget. Denver, CO, United States. View my complete profile. Art and craft links.

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craftblog: cpuministries.org web launch

http://denvercraft.blogspot.com/2009/08/cpuministriesorg-web-launch.html

Wednesday, August 5, 2009. Cpuministries.org web launch. Is up and running! Denvercraft designed the logo and website after Jim Clark, Director of CPU Ministries, was featured in the New York Times. For an article on the economy. CPU Ministries is a nonprofit service that refurbishes and donates computers to those who can't afford them. it's so difficult to find a job without access to a computer and the internet, CPU Ministries is providing that access. Subscribe to: Post Comments (Atom).

apeirondesign.blogspot.com apeirondesign.blogspot.com

apeiron art + design: Porcelain Pleasure

http://apeirondesign.blogspot.com/2012/01/porcelain-pleasure.html

Tuesday, January 31, 2012. Tsehai Johnson's Exploding Carpet, Wall Shift #1 (Green), and Pattern Control. Jeff Koons' Michael Jackson and Bubbles, and Puppy. Disney's Mad Tea Party ride 1960. Eva Hesse's Repetition Nineteen III, 1968. Betty Woodman, Metropolitan Museum of Art exhibit, and Balustrade Relief Vase #70-1. Shalya Marsh and Dalia Berman exhibit. Tsehai Johnson's Field #10, Cup 4, and Spill 4. Tsehai Johnson shows at Plus Gallery, Denver. Subscribe to: Post Comments (Atom). Apeiron Stuff We Like.

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apeiron art + design: January 2012

http://apeirondesign.blogspot.com/2012_01_01_archive.html

Tuesday, January 31, 2012. Tsehai Johnson's Exploding Carpet, Wall Shift #1 (Green), and Pattern Control. Jeff Koons' Michael Jackson and Bubbles, and Puppy. Disney's Mad Tea Party ride 1960. Eva Hesse's Repetition Nineteen III, 1968. Betty Woodman, Metropolitan Museum of Art exhibit, and Balustrade Relief Vase #70-1. Shalya Marsh and Dalia Berman exhibit. Tsehai Johnson's Field #10, Cup 4, and Spill 4. Tsehai Johnson shows at Plus Gallery, Denver. Thursday, January 19, 2012. Frank Martinez 5-10 and 5-14.

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apeiron art + design: January 2013

http://apeirondesign.blogspot.com/2013_01_01_archive.html

Tuesday, January 1, 2013. Variations at Pirate: Contemporary Art. Left) with wood printing blocks leaning on the far wall. Infinite Drawing Series. Right) on the wall. Here are a few images from my latest exhibition Variations. Left) resin sculpture and tissue paper sculpture on a Plexiglass stand. A light box work from 2005 (right) called Accumulations and Variations. Displaying 23 transparent and stacked prints. Tsogo Mijid's paintings and drawings in the front room of Pirate. Subscribe to: Posts (Atom).

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apeiron art + design: Some Ideas about Looking and Collecting Art

http://apeirondesign.blogspot.com/2011/12/normal-0-false-false-false.html

Monday, December 5, 2011. Some Ideas about Looking and Collecting Art. It literally feels like an electrified, high energy experience whereby the work is all that the viewer sees because the engagement is so intense. Two examples of looking at artwork with preconceived notions and expectations and having my ideas radically change after experiencing the actual work happened years ago during a visit to the Art Institute of Chicago. I wanted to see Willem de Kooning’s painting Excavation. 1973 At that momen...

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apeiron art + design: February 2009

http://apeirondesign.blogspot.com/2009_02_01_archive.html

Tuesday, February 3, 2009. A Look at the Organic Grid. While investing methods and tools on how to organize and set project parameters I came across a paper published on the internet by Edwin Tofslie, an Art Director and Designer, that defines a method of organizing and presenting information called the organic grid ( tofslie.com/organicgrid.pdf. As defined by the artist Sol Lewitt. Parameters are structured around an organic grid most notably in my infinite drawing series. Fry uses the work of artist Ma...

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Charles Livingston Studio - Home

The material universe is seen as a dynamic web of interrelated events. None of the properties of any part of this web is fundamental;. They all follow from the properties of the other parts, and the overall consistency of their interrelations determines the structure of the. 8211; Fritjof Capra, The Web of Life.

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