cauleensmith.com

artadia.org

Chicago Archives - Artadia

http://artadia.org/city/chicago

Art & Dialogue: Chicago Bad at Sports Interview with Elysia Borowy-Reeder and Ben Stone. Visiting curator Elysia Borowy-Reeder. Executive Director, Museum of Contemporary Art Detroit, joined Bad at Sports hosts Dana Bassett and Duncan Mackenzie for an interview with Awardee Ben Stone. 2002 Chicago) during Art and Dialogue: Chicago earlier this year. The discussion touched on Stone’s Harry Caray balloon performance, his recent show at Western Exhibitions, and the role that humor plays in his work. As Exec...

jessicacochranprojects.org

People's Pamphlets - Jessica Cochran Curatorial Projects

http://jessicacochranprojects.org/peoples-pamphlets

Jessica Cochran Curatorial Projects. Exhibitions, Collections, Research. A project for Printers Ball, 2015. June 27, 2015. A curatorial project for Printers Ball. Pamphlets by: Gareth Long. Fred Sasaki, Kyle Schlie. Gurl Don't Be Dumb. View images of each pamphlet here. Sculptural Kiosks by Ramyar Vala. Photography by Eric Matthews. Pamphlet by Phaedra Call on kiosk by Faranak Farhang (back, kiosk by Ramyar Vala). Photography by Eric Matthews. Kiosk by Ramyar Vala. Photography by Leonardo Selvaggio.

blackwomendirectors.co

Archive for April 2015

http://www.blackwomendirectors.co/2015_04_01_archive.html

Highlighting the art and labor of Black women filmmakers across the Diaspora since 2015. B 1971, San Francisco, CA. Herbie: Fully Loaded (2005). Maggie Peyton, the new owner of Number 53 - the Volkswagen “love bug” with a mind of its own - puts the car through its paces on the road to becoming a NASCAR competitor. B 1967, Riverside, CA. 160; Set in Oakland, CA, . Drylongso  follows Pica on her quest to photograph her concept of a dying breed: African American men. . B Nairobi, Kenya. Wanting to escape wa...

mainstreamchicago.com

Building a 24/7 Streaming Network: ACRE TV (A Case Study) - MAINSTREAM MEDIA, LLC

http://www.mainstreamchicago.com/building-247-streaming-network-acre-tv-case-study

Live streaming and video production in Chicago. Live streaming and video production in Chicago. Building a 24/7 Streaming Network: ACRE TV (A Case Study). February 16, 2015. A 24/7 artist-made livestreaming tele-vision network. In this post I’m going to attempt to describe ACRE TV. For the uninitiated, and lay out some of the components and challenges one might meet when building a 24/7 streaming network. I’ll detail the types of forms we’ve been interested in programming on ACRE TV. ACRE TV’s logo...

powitskim.com

Powitskim: ART & SOUND || Blaxploitation art [4]

http://www.powitskim.com/2015/07/art-sound-blaxploitation-art-4.html

ART and SOUND Blaxploitation art [4]. Black artists have beaten slavery like a dead horse. I'm also speaking here of the dead horse I have personally seen victimized time and time again, and that is black slavery in white America. And please, feel free to take this moment to reflect and mourn your own prospective dead horse my fellow artists of color. [*Do white people have a dead horse? Is it relevant now? Should it be re-imagined? Art and slavery has collided in some beautiful and disturbing ways over ...

denenge.net

THE LATEST - DENENGE

http://denenge.net/upcoming

DENENGE DESIGN STUDIO VERTO. I am happy to announce that I am the recipient of an inaugural SAIC Diversity Advisory Group 2016 Teaching Award for Excellence in Diversity and Inclusion. JUNE 24, 2016. CHICAGO ARTISTS' COALITION LAUNCH INVITATIONAL RESIDENCY. Presentation and Discussion with co-panelists Damon Locks and Matt Austin. Friday, June 24, 2016. Comfort Station, Logan Square. Pritzker Pavilion, Millennium Park, Chicago. April 14-16, 2016. Photo by Lani Montreal from Honey Pot Performance facebook.

carouselmicrocinema.wordpress.com

Carousel Microcinema | I'm trying to get away with the redundancy of being an African-American or making African-American art. It's like a double negative, a double noun. So I'm trying to figure it out. Everyone knows that I am black,

https://carouselmicrocinema.wordpress.com/page/2

I'm trying to get away with the redundancy of being an African-American or making African-American art. It's like a double negative, a double noun. So I'm trying to figure it out. Everyone knows that I am black, so my work doesn't have to shout it out anymore…. I am black. The work will automatically be thought of as a part of my African-American culture. David Hammons. CAROUSEL #03: There goes the Neighborhood. The Carousel is rolling to Chicago! Newer posts →. September 2, 2010. Peep this link here:.

carouselmicrocinema.wordpress.com

MONDAY NIGHT @ THE KITCHEN! | Carousel Microcinema

https://carouselmicrocinema.wordpress.com/2011/02/26/monday-night-the-kitchen

I'm trying to get away with the redundancy of being an African-American or making African-American art. It's like a double negative, a double noun. So I'm trying to figure it out. Everyone knows that I am black, so my work doesn't have to shout it out anymore…. I am black. The work will automatically be thought of as a part of my African-American culture. David Hammons. CAROUSEL #03: There goes the Neighborhood. The Carousel is rolling to Chicago! CAROUSEL MICROCINEMA goes to New York:. February 26, 2011.

carouselmicrocinema.wordpress.com

CM #04 Program Notes: | Carousel Microcinema

https://carouselmicrocinema.wordpress.com/2010/08/22/cm-04-program-notes

I'm trying to get away with the redundancy of being an African-American or making African-American art. It's like a double negative, a double noun. So I'm trying to figure it out. Everyone knows that I am black, so my work doesn't have to shout it out anymore…. I am black. The work will automatically be thought of as a part of my African-American culture. David Hammons. CAROUSEL #03: There goes the Neighborhood. The Carousel is rolling to Chicago! Carousel Microcinema #04: Recap! CM #04 Program Notes:.

carouselmicrocinema.wordpress.com

CROSSING THE ATLANTIC! | Carousel Microcinema

https://carouselmicrocinema.wordpress.com/2011/05/20/crossing-the-atlantic

I'm trying to get away with the redundancy of being an African-American or making African-American art. It's like a double negative, a double noun. So I'm trying to figure it out. Everyone knows that I am black, so my work doesn't have to shout it out anymore…. I am black. The work will automatically be thought of as a part of my African-American culture. David Hammons. CAROUSEL #03: There goes the Neighborhood. The Carousel is rolling to Chicago! I HELLA HEART OAKLAND. May 20, 2011. I HELLA HEART OAKLAND.