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Brian Dupont: Artist's Texts | An artist's writings on art.

An artist's writings on art.

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Brian Dupont: Artist's Texts | An artist's writings on art. | briandupont.wordpress.com Reviews
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Brian Dupont: Artist's Texts | An artist's writings on art. | briandupont.wordpress.com Reviews

https://briandupont.wordpress.com

An artist's writings on art.

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1

On Lower Manhattan’s Memory Lane | Brian Dupont: Artist's Texts

https://briandupont.wordpress.com/2013/08/03/on-lower-manhattans-memory-lane

Brian Dupont: Artist's Texts. An artist's writings on art. On Lower Manhattan’s Memory Lane. Walking into Cheim and Read. Feels like visiting a gathering of old friends. Raphael Rubinstein. Has laid out a thesis for an alternate narrative of painting in the 1980’s that is not unknown, but is still not as recognized as it could (or should) be. [i]. But to a man [iv]. They were ultimately much less influential to the practice of painters going forward; if there is a hopeful lesson to be found here, it may ...

2

Out of Time (Part 2): In the Desert. | Brian Dupont: Artist's Texts

https://briandupont.wordpress.com/2015/01/13/out-of-time-part-2-in-the-desert

Brian Dupont: Artist's Texts. An artist's writings on art. Out of Time (Part 2): In the Desert. Of this essay considered the metaphorical space of the desert as a model for the new condition of painting within Postmodernism, the physical space of. Is equally revealing. The exhibition is on the top floor, sitting in stark contrast to Matisse’s cut outs. [1]. The show feels as if it is being hyped to raise its profile as much as possible just on the way to the 4. Dead-ending against the back wall forces th...

3

Out of Time (Part 3): A Wandering Market | Brian Dupont: Artist's Texts

https://briandupont.wordpress.com/2015/02/15/out-of-time-part-3

Brian Dupont: Artist's Texts. An artist's writings on art. Out of Time (Part 3): A Wandering Market. Attack of the Giant Killer Robots! Has engaged the critical debate around painting through the lens of technology and science fiction, and if our current context or the paintings themselves (see Part 1. Is more apparent in our networked era of information wanting to be free. If. Exemplifies our current condition, it is in the implication that the transition to Postmodernism has finally caught up with not ...

4

Out of Time (Part 1): ‘Forever Now’ and the New Landscape of Painting. | Brian Dupont: Artist's Texts

https://briandupont.wordpress.com/2014/12/30/out-of-time-part-1-forever-now-and-the-new-landscape-of-painting

Brian Dupont: Artist's Texts. An artist's writings on art. Out of Time (Part 1): ‘Forever Now’ and the New Landscape of Painting. Painting has had it rough lately, it’s as if constantly dying and being reborn has really taken something out of the medium. For better or worse it has been yoked to the very definition and expectations of what art is, and painters have become accountable not only on formal but also economic grounds. Hatred of Provisionalism. And the technological present disguises the broader...

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A Provisional Explanation. | Brian Dupont: Artist's Texts

https://briandupont.wordpress.com/2013/01/13/a-provisional-explanation

Brian Dupont: Artist's Texts. An artist's writings on art. So what is there to say when so much contemporary production in a given medium seems to shift in a certain direction? The rise of so-called provisional strategies in abstraction was first identified by the critic Raphael Rubinstein [ii]. And has subsequently been expanded by other curators and writers [iii]. The unfinished nature of “Provisionalism” [iv]. Is that painters have been able to fundamentally reassess notions of composition, failure, a...

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bdupont | extragallerynyc

https://extragallerynyc.wordpress.com/author/bdupont

Skip to primary content. Skip to secondary content. We’re a gallery in Chelsea, exposing new artists to the world. An artist living and working in Brooklyn, NY. Press Release: “RESIDUE”. September 21, 2012. For immediate release: October 4 November 2, 2012. Residue: The work of Michael Callaghan, J.D. Hastings, and Toni Tiller. Michael Callaghan lives and works in Brooklyn, New York. His work can be found at www.michaelcallaghanart.com. And Tuesdays at darteboard.com. And his writings can be found on his...

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September | 2012 | extragallerynyc

https://extragallerynyc.wordpress.com/2012/09

Skip to primary content. Skip to secondary content. We’re a gallery in Chelsea, exposing new artists to the world. Monthly Archives: September 2012. Press Release: “RESIDUE”. September 21, 2012. For immediate release: October 4 November 2, 2012. Residue: The work of Michael Callaghan, J.D. Hastings, and Toni Tiller. Michael Callaghan lives and works in Brooklyn, New York. His work can be found at www.michaelcallaghanart.com. And Tuesdays at darteboard.com. And his writings can be found on his blog ‘Artis...

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Press Release: “RESIDUE” | extragallerynyc

https://extragallerynyc.wordpress.com/2012/09/21/press-release-residue

Skip to primary content. We’re a gallery in Chelsea, exposing new artists to the world. Press Release: “RESIDUE”. September 21, 2012. For immediate release: October 4 November 2, 2012. Residue: The work of Michael Callaghan, J.D. Hastings, and Toni Tiller. Michael Callaghan lives and works in Brooklyn, New York. His work can be found at www.michaelcallaghanart.com. And Tuesdays at darteboard.com. Has been curated and organized by Brian Dupont. His work can be found at http:/ briandupont.com/. The Extra G...

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EXTRA Gallery NYC | extragallerynyc

https://extragallerynyc.wordpress.com/author/extragallerynyc

Skip to primary content. Skip to secondary content. We’re a gallery in Chelsea, exposing new artists to the world. Author Archives: EXTRA Gallery NYC. About EXTRA Gallery NYC. I am an independent writer and curator of the arts. Post-Sandy Update: Residue Returns! November 13, 2012. In the wake of “super storm” Sandy the Extra gallery has revamped its schedule. As such Residue: The work of Michael Callaghan, J.D. Hastings, and Toni Tiller has reopened and has been extended through. Friday, December 28th.

studiocritical.blogspot.com studiocritical.blogspot.com

STUDIO CRITICAL: April 2014

http://studiocritical.blogspot.com/2014_04_01_archive.html

A behind the scenes approach to contemporary painting. Tuesday, April 29, 2014. Crumbling Block of Blocks,. Acrylic paint on powder-coated stand. 105 x 13.5 x 24 inches (dimensions variable). What are you working on in your studio right now? Can you describe your working routine? Can you describe your studio space and how, if at all, that affects your work? Tell me about your process, where things begin, how they evolve, etc. What are you having the most trouble resolving? Monday, April 14, 2014. Do you ...

criticismism.com criticismism.com

anthropomorphism | criticismism

http://www.criticismism.com/tag/anthropomorphism

Blogging for art’s sake. Artists are so bizarre and come from such strange places : Glenn Ligon interview below. Jeff Koons, Michael Jackson and Bubbles (1988). June 17, 2015. Michael Jackson and Bubbles. It’s the hair on the chimp. It’s as tousled as that of a Greek god. It’s as gilded as that of a Catholic saint. But it renders Bubbles more human than even Michael himself could have hoped for. Koons often talks about the removal of judgement, the acceptance of self. He is either the world’s greates...

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Press Release: “While You Wait…” | extragallerynyc

https://extragallerynyc.wordpress.com/2011/09/13/press-release-while-you-wait

Skip to primary content. We’re a gallery in Chelsea, exposing new artists to the world. Press Release: “While You Wait…”. September 13, 2011. For Immediate Release September 13, 2011. While You Wait: Greg Allen, Laura Isaac, Laelia Mitchell, Christopher Moss, Maritza Ruiz-Kim, and Jason Varone on the Art of the Lobby, curated by Brian Dupont. Extra Gallery NYC, October 6 November 1, 2011. More information about the participating artists and the curator can be found on their respective websites. You are c...

criticismism.com criticismism.com

Franz West, 6 Adaptives for Rolls Royce Silver Shadow (2007) | criticismism

http://www.criticismism.com/2015/06/28/franz-west-6-adaptives-for-rolls-royce-silver-shadow-2007

Blogging for art’s sake. Artists are so bizarre and come from such strange places : Glenn Ligon interview below. Larr; Yto Barrada, Faux départ (2015). Jeff Koons, Michael Jackson and Bubbles (1988). Franz West, 6 Adaptives for Rolls Royce Silver Shadow (2007). June 28, 2015. Rolls Royce Silver Shadow. The Spirit of Ecstasy. On some level you may already be offended. You don’t need to be a total petrolhead to find the addition to this prestigious bonnet to be something of a defacement. But it should be n...

studiocritical.blogspot.com studiocritical.blogspot.com

STUDIO CRITICAL: December 2013

http://studiocritical.blogspot.com/2013_12_01_archive.html

A behind the scenes approach to contemporary painting. Monday, December 16, 2013. T'Bar, oil and acrylic on canvas, 35x25cm, 2013. What are you working on in your studio right now? I’m working on a few things. I’m putting together a series of miniatures for a travelling show titled, ‘Wandering Museum’. They are still in early stages and I am just laying down colours and making marks. Can you describe your working routine? Can you describe your studio space and how, if at all, that affects your work?

studiocritical.blogspot.com studiocritical.blogspot.com

STUDIO CRITICAL: MOLLY STEVENS

http://studiocritical.blogspot.com/2012/10/molly-stevens.html

A behind the scenes approach to contemporary painting. Tuesday, October 16, 2012. Knight in armor with teeth, 2012,. Oil stick on paper, 61” x 47.5”. What are you working on in your studio right now? I’m developing new large-scale oils on paper and canvas. These past few months, I’ve been seeing boxers, guardians, cats with guns and most recently, lederhosen. Can you describe your working routine? Head (Boxer), 2012, oil stick on paper, 60” x 44”. Studio view toward windows. My plan never pans out. E...

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Brian Dupont: Artist's Texts | An artist's writings on art.

Brian Dupont: Artist's Texts. An artist's writings on art. The tide may seem relentless, sweeping hope away. As I wrote previously, my practice in the studio is essentially solitary, and that has isolated the work I have made in response to current events from most everyone else. I know that I am not alone in this regard, and I asked to see your art made after the election. I’d like to thank those who initially shared those responses with me. As well as offering support to other venues and exhibitions.

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