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Arthur Palmer - Aboriginal, Oceanic & Tribal Art

Arthur Palmer - Aboriginal, Oceanic and Tribal Art. Tuesday, August 09, 2011. MUTUAGA MASSIM LIME SPATULA HANDLES. THE Papua New Guinea MAMMAL FIGURES A ZOOMORPHIC TAXONOMIC REVISION. On comprend enfin que les especes naturelles ne sont pas choisies parce que "bonnes a manger" mais parce que "bonnes a penser.". We understand in the end that natural species are chosen (for totemic association) not because they're "good to eat" but because they are good to think with, good to ponder on). The carving looks ...

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Arthur Palmer - Aboriginal, Oceanic & Tribal Art | arthur-palmer.blogspot.com Reviews
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Arthur Palmer - Aboriginal, Oceanic and Tribal Art. Tuesday, August 09, 2011. MUTUAGA MASSIM LIME SPATULA HANDLES. THE Papua New Guinea MAMMAL FIGURES A ZOOMORPHIC TAXONOMIC REVISION. On comprend enfin que les especes naturelles ne sont pas choisies parce que bonnes a manger mais parce que bonnes a penser.. We understand in the end that natural species are chosen (for totemic association) not because they're good to eat but because they are good to think with, good to ponder on). The carving looks ...
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Arthur Palmer - Aboriginal, Oceanic & Tribal Art | arthur-palmer.blogspot.com Reviews

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Arthur Palmer - Aboriginal, Oceanic and Tribal Art. Tuesday, August 09, 2011. MUTUAGA MASSIM LIME SPATULA HANDLES. THE Papua New Guinea MAMMAL FIGURES A ZOOMORPHIC TAXONOMIC REVISION. On comprend enfin que les especes naturelles ne sont pas choisies parce que "bonnes a manger" mais parce que "bonnes a penser.". We understand in the end that natural species are chosen (for totemic association) not because they're "good to eat" but because they are good to think with, good to ponder on). The carving looks ...

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Arthur Palmer - Aboriginal, Oceanic & Tribal Art: June 2009

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Arthur Palmer - Aboriginal, Oceanic and Tribal Art. Monday, June 22, 2009. A Captain COOK EMBROIDERED SILK WAISTCOAT. Appraisal of a C1770 Embroidered Silk Waistcoat property of a gentleman purportedly from or by. The hand of Elizabeth, wife of Capt. James Cook RN. and a comparative analysis with the Mit. Establish that this silk waistcoat was of the period i.e. Late C18 circa 1770-90. Conduct a comparative in situ analysis with the Cook. Waist coat held by the Mitchell Library Sydney and the. Apart from...

2

Arthur Palmer - Aboriginal, Oceanic & Tribal Art: PARASI the Magic Headhunting Club

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Arthur Palmer - Aboriginal, Oceanic and Tribal Art. Tuesday, May 19, 2009. PARASI the Magic Headhunting Club. War magic Parasi Head Hunter's Coup Staff Club circa WWII. Nomad Fly River, Papua New Guinea. Length 105cm (41 inches) width 9.5cm (4 inches)Local wood, natural earth ochre and charcoal, bush string and feathers. Ex Arthur Palmer Family Collection Brisbane. We go; one not escape. All we shall kill. Finish! Song of the Headhunter in Williams. Only the short handle is taken back with the severed he...

3

Arthur Palmer - Aboriginal, Oceanic & Tribal Art: June 2007

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Arthur Palmer - Aboriginal, Oceanic and Tribal Art. Thursday, June 07, 2007. SOLOMON ISLAND ARTICLE - OCEANIC ART SOCIETY. 19th CENTURY SOLOMOM ISLAND REALIST DYNAMIC PORTRAIT FIGURES. In Fred McCarthy’s 1951 paper, (Aust Museum Mag Vol X, No.5. Human sculptures of the Solomon Islands) there is an illustration and discussion of a fabulous life size dynamic portrait sculpture figure of a girl from Rubiana (Roviana? New Georgia (a short canoe ride from Vella Lavella). She shares many of the features as...

4

Arthur Palmer - Aboriginal, Oceanic & Tribal Art: February 2008

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Arthur Palmer - Aboriginal, Oceanic and Tribal Art. Saturday, February 16, 2008. DEATH of ABORGINAL CONTEMPORARY ART and THE CHILD ABUSE SCANDAL. Is collateral damage from these horrific public revelations going to ultimately destroy the Aboriginal Fine Art market and what is the immediate impact on investment and collectability? When all the dots are joined together are the dots dead? If the time comes when the upper middle class Fine Art domestic and international market looks at a glorious painting fr...

5

Arthur Palmer - Aboriginal, Oceanic & Tribal Art

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Arthur Palmer - Aboriginal, Oceanic and Tribal Art. Monday, November 15, 2010. ABORIGINAL ART and ALIENATION. PAUL BEST AT HIS BEST. ABORIGINAL CONTEMPORARY PAINTING and the GREAT AUSTRALIAN ALIENATION:. The new job of art is to sit on the wall and get more expensive. Paul Best and Arthur Palmer. August 2009. Circle Gallery Brisbane. Paul Best is an Australian painter of wistful commentaries on the common human condition. See: http:/ paulbest.id.au/2010/03/2010-archibald-prize-part-two/. This transformat...

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Gallery

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Aboriginal, Oceanic and Pacific Islands, Papua New Guinea, African Tribal Native Arts and Artifact Gallery. Welcome to our Artefact Gallery, we hope you enjoy your visit. Please select from the categories above to view new pieces on offer and other items for sale. Always purchasing entire collections or individual tribal works. Expert museum quality restoration and repair. Film Prop Hire - Traditional Tribal artefacts, head dresses, adornments, weapons etc. By Appointment Only Please. AD Fine Art (QLD).

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About AB Palmer

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Arthur Beau Palmer is a Gallery Owner and deals in high end investment Aboriginal and Oceanic tribal artefacts and fine art. He specialises in sourcing omissions in major established Private and Public collections and advice on future investment opportunities for those beginning in the field of Ethnographic Fine Art collecting. He began collecting Aboriginal Material Culture in the 1950s and PNG field collecting in 1968. Arthur re-catalouged the MacGregor collection Queensland Museum 1975-77, as assistan...

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Testimonials

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Ongoing is the research and catalogue work for a very early large 1870 -90 Solomon Island artefact collection and hundreds of glass plate negatives accompanying the many artefacts from this family collection. Nearing completion are two research publications: Queensland Rainforest Shields and a Pacific paper analysing artefact and other evidence for Fletcher Christian departure from Pitcairn Island shortly after the mutiny on the Bounty against Captain Bligh. Fine Aboriginal Weapons and Artefacts. Stateme...

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Solomon Islands

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Solomon Islands tridacna Giant Clam Shell Bracelet Arm Band 1860. Without doubt earliest most elegant superb examples with unimpeachable provenance ever handled. In as collected fine condition. POA PROVENANCE:. Photographs Post Contact 1800s. Iles Salomon - Solomon Islands Images par excellence of unsurpassed ethnographic importance. Hivo reef Solomon Islands. Tamako dreadnought canoe warriors paddle. Solomon Island Barbed Spear Collection. Fishing Net Sinker Weigh Stone - Marovo Lagoon Solomon Islands.

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Links

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List of Approved Artefact Valuers. Http:/ arts.gov.au/sites/default/files/collections/list-of-approved-valuers-february2014.pdf. Http:/ arts.gov.au/funding/tax/cgp. Ministry for the Arts. 3 5 National Circuit. Telephone: 02 6141 4338. Email: Enquiries This email address is being protected from spambots. You need JavaScript enabled to view it. Australian Government Cultural Gifts Programme. Http:/ www.arts.gov.au/tax incentives/cgp. David Said Tribal Art Brokers. Nathan Potts Oceanic Art. Henri Vaillancou...

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Maori

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Maori Wahaika Wood Club SOLD. SOLD Superbly carved pair of wahaika clubs in orthodox form covered in deep relief linear triple haehae and dog tooth. Maori Hei Tiki - Greenstone SOLD. SOLD Powerful substantial old bold style Maori Hei Tiki with great presence and mana.Desirable beautiful translucent. Maori Greenstone Hei TIKI SOLD. SOLD Handsome Tiki of bright pious green apple jade greenstone pounamu from Westland Region New Zealand.Taranaki symmetrical old style figure. Maori Tekoteko Carved Figures.

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Blog

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Should Indigenous Artefacts Be Sent Home? The repatriation of Aboriginal material culture matter is always going to be a sensitive issue in Australia and overseas, and rightly so. Tempered with goodwill and sound knowledge it should not however prove to be disastrous. Arthur Beau Palmer and Prof. WEH (Bill) Stanner at close of major ceremonies Peppimenarti NT after repatriation of secret sacred traditional Aboriginal ritual paraphernalia 1978. We understand in the end that natural species are chosen (for...

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•• Sold ••

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There are no articles in this category. If subcategories display on this page, they may contain articles. Papua New Guinea Mendi Shield. Southern Highlands Early C20. Muted and ancient natural earth pigments. Height 123cm (48.5") Width 40cm (16"). Aboriginal Arnhem Land Ceremonial Painted Spears. Raminining Painted Ceremonial One Piece complete length hardwood Spears. C1960s. L 8'6" (260cm). Wosera Southern Abelam Mens’ headdress NOTU. Solomon Island Choiseul Island Giant Clam Shell Barava. Matty Island ...

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Valuation Appraisal

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Appraisal, Provenance, Research, Insurance, Bequests, Auctions. All formal full appraisals are presented on signed and dated letter head with embedded photo, full description, researched provenance and ethnography, current market valuation for sale, auction, estate or insurance purposes. After appraisal valuation advice for private sale, conservation and restoration recommendations is free and sans any additional consideration. For ethnographic and fine art pieces not on commission. Is $185 per piece.

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Mission statement

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Arthur Beau Palmer AD Fine Art (Qld) MRQAS. INVESTMENT, TRIBAL AND FINE ART. To provide the highest quality advice and experience to clients who wish to buy or sell Investment Calibre Museum Quality Traditional Tribal Artifacts and Art Objects, (traditional or contemporary) Australian Fine Art and International Aviation Art. This consultancy is an accredited / registered valuer with both the Australian Commonwealth Government and the Queensland Public Trustee. Aboriginal and Torres Strait Islander materi...

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Arthur Palmer - Aboriginal, Oceanic & Tribal Art

Arthur Palmer - Aboriginal, Oceanic and Tribal Art. Tuesday, August 09, 2011. MUTUAGA MASSIM LIME SPATULA HANDLES. THE Papua New Guinea MAMMAL FIGURES A ZOOMORPHIC TAXONOMIC REVISION. On comprend enfin que les especes naturelles ne sont pas choisies parce que "bonnes a manger" mais parce que "bonnes a penser.". We understand in the end that natural species are chosen (for totemic association) not because they're "good to eat" but because they are good to think with, good to ponder on). The carving looks ...

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