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André Fincato | andrefincato.info Reviews

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André Fincato • atelier europa

http://www.andrefincato.info/projects/atelier-europa

During Autumn 2013, I was part of the group of people involved in the project. As the in-house designer, technician and jolly. Atelier Europa was a space, hosted in Casa della Pesa. One of the oldest buildings of the city in the very centre of Bozen. Conceived to work as information agency and managing team for the application of the jointed provinces of Trentino-Alto Adige/Südtirol, Friuli-Venezia Giulia and Veneto pursued as. European Capital of Culture. The project was part of the Euregio program, an ...

2

André Fincato • PPP

http://www.andrefincato.info/projects/ppp

Boy, are you in love? Yeah, he is. Fragment from a conversation I had with a man and his friend at the bar in front of the square I chose for the second performance. He approached me while I was dancing and offered me a coffee.). During Spring 2014 I was invited to be part of a group of ten young artists, with the aim of making a series of projects directly related to the neighbourhood where our atelier and final exhibition space was located. The project commissioned,. Il cubo di Rubik. Parallel to this,...

3

André Fincato • ow

http://www.andrefincato.info/ow

Is a research project focused on the transformation of the internet user in relation to labour. It draws from Benjamin Bratton's The Stack. Definition of user anything able to interface with another user; whether human, animal, plant, mineral, machinic, algorithmic, etc. to understand the idea of work in a different way. In no particular order:. The Last Night: Anti-Work, Atheism, Adventure. Willing Slaves of Capital. Notes Towards) Speculative Design—Benedict Singleton. A user in reply to a blog-post on...

4

André Fincato • artoteca

http://www.andrefincato.info/projects/artoteca

Valentina and I continued to progress with the project, expanding it in terms of locations, collaborations, and also in regard to its visual form. In fact, I designed a new logo for the project, and after its introduction in Spring 2015, I slowly implemented a new set of visual elements a couple of months later. In particular, the logo now has a gradient colour inside the canvas that the humanoid figure holds, which merges with the main background colour of each design item. Logo v1 Spring 2015.

5

André Fincato • artoteca fuorisede

http://www.andrefincato.info/projects/artoteca-fs

Artoteca fuorisede was an experiment in moving a. From the outskirts of the city into the historical center. Is part of the local Artist’s Association in Bolzano (Italy), and it aims to give everybody the chance to bring home a work of art. Me and Valentina of cooperativa 19. A room and our perception of it: the same principle persists in both contexts but on the latter it works on a more aesthetic level. So we opted for using a rain of frames in different sizes and shapes. Besides putting on display a b...

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arachne.cc arachne.cc

Hyper-invisibility and Blackness in Mexico: Encounters with the Self through encounters with history * Tiana Marie Mincey

http://www.arachne.cc/issues/03/hyper-invisibility-and-blackness-in-mexico-tiana-mincey.html

Hyper-invisibility and Blackness in Mexico: Encounters with the Self through encounters with history. Painting at Museo Regional de Palmillas, Yanga Veracruz. It is from this perspective that I write to you of what I’ve observed about the reception of my physical presence in Puebla especially, and of a story of the African diaspora in Mexico. Less mal-intended place of finding beauty in difference. So at least my hyper-visibility frequently comes with less negative connotations here then it may even ...

arachne.cc arachne.cc

Userscapes: The Ambiguous Agent in a Computational Paradigm

http://www.arachne.cc/issues/03/userscapes-genevieve-costello.html

Userscapes: The Ambiguous Agent in a Computational Paradigm. In the proliferation of computational technologies the user emerges as an increasingly necessary subject-position to traditional regimes of modernity/globalization. The notion of user is no longer a design or platform affordance, but a bio and geopolitical position. Benjamin Bratton's conceptualization of the User Layer put forward in. The Stack: On Software and Sovereignty. The User Layer permits Bratton to separate the user as a category of a...

arachne.cc arachne.cc

I'm creased * Fish Snake Narc and Future Crystals

http://www.arachne.cc/issues/03/im-creased-fish-snake-narc-future-crystals.html

Fish Snake Narc [music] and Future Crystals [video]. When you accepted my submission, the email read: we like the idea of having club music in the webzine. I giggled for a moment at this, partly from excitement, and partly at how infrequently I go to clubs no more than once every few months. I’m creased looks like club music, and might have a function in a club, but I cannot be sure that it is club music. Is a living artist. Future Crystals / Underground Gems. Back to the top ⤴. Go to the Archive.

arachne.cc arachne.cc

Namesake * Adrienne Herr

http://www.arachne.cc/issues/03/namesake-adrienne-herr.html

Almond loveable almond from me. God of beginnings May he expand. he expands delivered banished delivered banished. Laurel of bad luck ill-omened ill-omened. Wiping away breaking fear Nimble. nimble. Advice. guidance instruction a praise a cry From the hide. God of the crafts a digger She is my delight. she is my delight She is my delight. Devout. basis, foundation ardent Diminutive of Diminutive of. Vapor Catches birds. ideal ideal aim. Rose diminuitive of rose thinker a thinker. The destroyer gives joy ...

arachne.cc arachne.cc

Synth Master Goodiepal / gaeoudjiparl / Parl Kristian Bjørn Vester

http://www.arachne.cc/issues/03/goodiepal-interview.html

Unedited, full, interview transcribed with speech-to-text software. And get microbubble portion of the tinkle dealing with beeping at the compartment starts at eight pack of Pepsi at the up or still sleeping onto beach and eat this is a very text dated that it is interesting lady with about that subject is midtempo stupid GWB available in making preservice web copy for the appointment seems to be tempted to get in Fishtrap them. we’ll beat you at? Artist’s music room, circa 1997. Dorothy Howard: I’m curi...

arachne.cc arachne.cc

Fit for Work: The commodification of self-care in fitness tracking apps * Kirsty Hendry

http://www.arachne.cc/issues/03/fit-for-work-kirsty-hendry.html

Fit for Work: The commodification of self-care in fitness tracking apps. What do we have to lose from quantifying the self? Self-tracking devices reflect a top-down, one size fits all view of health that is defined by the bodily data collected by technology companies and fed back to users, rather than the wisdom of more traditional health practitioners and institutions. In a move to better understand the quantified health movement, I’d like to discuss Cursor. Developed by myself and artists. The cultivat...

arachne.cc arachne.cc

Annotated Index of pre-(co)congealing * Agustine Zegers

http://www.arachne.cc/issues/03/annotated-index-agustine-zegers.html

Annotated Index of pre-(co)congealing. Content warning (Cw, Tw): Please be warned, this text contains graphic organic and bodily imagery. Is a default material state of the ontological shift necessitated by the forceful and unsustainable forces of the Capitalocene. Is a mechanism of what Donna Haraway has described as the. The dynamic ongoing sym-chthonic forces and powers of which people are a part, within which ongoingness is at stake. Fig 1: Wilson H. V. It favors bodies with plasticity, such as amoeb...

arachne.cc arachne.cc

Six Poems * Nadia de Vries

http://www.arachne.cc/issues/03/six-poems-nadia-de-vries.html

Sometimes My Arms Bend Back. I don’t want to be abandoned it is too cruel for school. Just for once I want to be the abandoner. Kilroy was here, but the fear never left. A pelican ate a pigeon and now no one believes in god anymore. Unfollow Me into the Dark. My instincts are strong I know a long road when I see one I know the place of endless pining You always walk there alone. You have to commit yourself to it not to me, but the darkness. Am I clever or am I lonely Am I clever or am I lonely.

arachne.cc arachne.cc

Arachne *~ Archive

http://www.arachne.cc/issues/archive.html

Issue #01 * Fall 2015. With Manuel Arturo Abreu, Harry Burke, Flynn Casey, Buffy Cain, Amelia Furlong, Anton Haugen, Dorothy Howard, Maximilian Klein, Antonin Laval, Sandra Sánchez, Caroline Sinders, Nikos Voyiatzis. Issue #02 * Winter 2016. With American Artist, Angel Ashley, Die Ashley, Thea Ballard, Rebecca Beauchamp, James Curry-Castillo, Samuel Hopkins, Dorothy Howard, Alexander Iadorola, Thomas Levine, Libros Fantasma, Tao Lin, Whitney Mallett, Jónó Mí Ló, Roger Van Voorhees, Timo Tuhkanen.

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Non fare la femminuccia (Don't be a pussy). André Fincato makes projects hovering between. At the moment he's exploring ephemerality, ebooks, voice and working with groups. Books, magazines, websites, exhibitions, identities. He's very interested in cultural and DIY projects, especially if they're linked to specific geographical areas and are temporary. André Fincato is, for the time being, based in Amsterdam (NL), studying at this place. At the Sandberg Instituut. If you're interested, just write.

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André Fincato

Sandberg Forum with Franco Bifo Berardi. W/ Alberto Valz Gris. Non fare la femminuccia (Don't be a pussy). Is currently pursuing an MFA at the Sandberg Instituut. With a thesis on the transformation of the internet user in relation to labour, using github.com. As object of analysis (see ow. Together with Serena Osti. He's working on gilda.xyz. A platform for Italian visual artists' rights. A zine focused on gender, labour and technology.

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Skip to main navigation. Skip to 1st column. Skip to 2nd column. The man, the life, the story. The Art of Bruce André. Enjoying a deep passion for the wild places of the West and its amazing history. Bruce spends all his spare time exploring the "areas past the ends of the roads"-riding, hiking and searching out the sites of the Apache Wars, early mountain men, and pioneering cattlemen. Click here to view the Gallery! Featured Works of Art (click to expand). Selected Bronzes (click to expand).

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