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明けぐれの夢に惑ひたまふ (Lost in a Waking Dream)

明けぐれの夢に惑ひたまふ (Lost in a Waking Dream). Sunday, April 14, 2013. It's great to finally get back to the text! I haven't done a new sentence since January. Looking at the picture here, there are three things of interest:. The open rectangle to the right of なん indicates a 係り結び; the open rectangle pointing the other way on けれ is the 結び part. Finally, the black circle to the left of the し in 後見しなければ indicates that it's a 助辞 (which Hiromichi glosses as yasume no kotoba. 12288;更衣の父按察(あぜち)の大納言の事を ...The fact th...

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明けぐれの夢に惑ひたまふ (Lost in a Waking Dream) | akegure.blogspot.com Reviews
<META>
DESCRIPTION
明けぐれの夢に惑ひたまふ (Lost in a Waking Dream). Sunday, April 14, 2013. It's great to finally get back to the text! I haven't done a new sentence since January. Looking at the picture here, there are three things of interest:. The open rectangle to the right of なん indicates a 係り結び; the open rectangle pointing the other way on けれ is the 結び part. Finally, the black circle to the left of the し in 後見しなければ indicates that it's a 助辞 (which Hiromichi glosses as yasume no kotoba. 12288;更衣の父按察(あぜち)の大納言の事を&#12...The fact th...
<META>
KEYWORDS
1 kiritsubo 1 5
2 my translation
3 now the headnotes
4 父の大なごんはなくなりて
5 hyou
6 はゝ北の方なん云々よしあるにて
7 the nan
8 よしある
9 yoshi
10 はなやか
CONTENT
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kiritsubo 1 5,my translation,now the headnotes,父の大なごんはなくなりて,hyou,はゝ北の方なん云々よしあるにて,the nan,よしある,yoshi,はなやか,はかばかしき,hakabakashi,translation shikkari shita,うしろみ,the yugen shuran,こととある時は,genchu yoteki,says,means especially,kakaisho,according to the,koujien,64 宮
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明けぐれの夢に惑ひたまふ (Lost in a Waking Dream) | akegure.blogspot.com Reviews

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明けぐれの夢に惑ひたまふ (Lost in a Waking Dream). Sunday, April 14, 2013. It's great to finally get back to the text! I haven't done a new sentence since January. Looking at the picture here, there are three things of interest:. The open rectangle to the right of なん indicates a 係り結び; the open rectangle pointing the other way on けれ is the 結び part. Finally, the black circle to the left of the し in 後見しなければ indicates that it's a 助辞 (which Hiromichi glosses as yasume no kotoba. 12288;更衣の父按察(あぜち)の大納言の事を&#12...The fact th...

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明けぐれの夢に惑ひたまふ (Lost in a Waking Dream): Chogonka part 6

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明けぐれの夢に惑ひたまふ (Lost in a Waking Dream). Saturday, April 6, 2013. 101 情を含み、 涕を. She was full of emotion, and she fixed her gaze (on the priest), relaying a message to the King. 102 一別音容両(ながら)、渺茫。 Since we have parted, your voice and features are far-away and indistinct. SKT makes the next lines a quotation of Yang Guifei, while wikisource uses a third-person description. 103 昭陽殿の裏、恩愛絕。 Within the hall of the bright sun, our love has ceased. The days and months are long in Penglai Palace. On the seventh day...

2

明けぐれの夢に惑ひたまふ (Lost in a Waking Dream): February 2013

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明けぐれの夢に惑ひたまふ (Lost in a Waking Dream). Sunday, February 24, 2013. Chogonka, part 2. 21 金屋(に)粧ひ成て嬌(こび)て夜に侍す。 She finished her makeup in the golden building, and charmingly accompanied the Emperor in the evenings. 金屋 is another reference to Emperor Wu; once again the tireless Wikisource guy has put the original quote. From the Book of Han up. He also points out that the 嬌 here is probably a pun on Empress Chin Jiao. Who Wu wanted to build the golden house for. 27 驪宮高き處、青雲に入る。 Mentioned earlier in the poem.

3

明けぐれの夢に惑ひたまふ (Lost in a Waking Dream): Chogonka, part 5

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明けぐれの夢に惑ひたまふ (Lost in a Waking Dream). Thursday, April 4, 2013. Chogonka, part 5. I'm back in the US so I should be able to do more regular updates now. Two more Chogonka posts and then 1 or 2 for the Chogonka-den and we'll be back to the actual Genji; hopefully my readership will go above 1 view per post after that. :-) I will try to get the last Chogonka posts up relatively quickly. 81 上は碧落を窮はめ、下は黄泉。 The Daoist priest) searched up in the blue sky, and down in the yellow springs. The images here are tak...

4

明けぐれの夢に惑ひたまふ (Lost in a Waking Dream): Chogonka-den (extracts)

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明けぐれの夢に惑ひたまふ (Lost in a Waking Dream). Monday, April 8, 2013. As I said before, Hiromichi follows his quotation of the entire 長恨歌 with extracts from a prose story called the 長恨歌伝, which is placed before the 長恨歌 in many manuscripts of Bai Juyi's poems. It is by 陳鴻, but I don't know much about him. I suppose this prose story was already appearing in manuscripts in the Heian period so that it would have been read there. The Kaiyuan era was from 731-741. He issued an order to Gao Lishi. The next year she was...

5

明けぐれの夢に惑ひたまふ (Lost in a Waking Dream): January 2013

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明けぐれの夢に惑ひたまふ (Lost in a Waking Dream). Saturday, January 26, 2013. Kiritsubo, 1.4a. This is another sentence that will have to be split up into multiple posts; there are only a few of these but unfortunately a lot of them are right at the beginning. 12288;あしくきらはしき物を見る時の様なり。長恨歌の伝に「京師ノ長吏、是ガ為ニ目ヲ側ム」といふにもよりしならん。 1758): This describes looking at something bad that you don't like. This also seems to be a reference to the. The officials of the palace averted their eyes because of this. Song of Neverending Sorrow.

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文国: May 2013

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Wednesday, 8 May 2013. Woman in the Dunes - Chapter 2, Section 3 continued p10-11. Woman in the Dunes – Chapter 2 Section 3 continued p.10-11. The story continues with the man reaching some signs of habitation at the coast as the landscape gradually becomes more sandy and barren. He stumbles across a village and as he make his way through it notices something strange. 12300;道はますます急な上り坂になり、ますます砂らしい砂になった。ただ、奇妙なことに、家の建っている部分は、すこしも高くならないのだ。道だけが高くなって、部落自身は&#122...境 (さかい). Subscribe to: Posts (Atom).

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文国: Woman in the Dunes -Chapter 2 - Section 1 continued. p-8-9

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Thursday, 7 March 2013. Woman in the Dunes -Chapter 2 - Section 1 continued. p-8-9. Woman in the Dunes – Chapter 2 Section 1 continued (p.8-9). になった。いつか地面は、きめの細かい、足の裏に吸いつくような砂地に変っている。ところどころ、乾いた草むらが砂のくぼみに影をつくり、 また間違えたように. 貧弱なナス畠があったりしたが、人影らしいものは、 まるで. As if by mistake. As if it wasn’t meant to be there. The size of a single (tatami) mat. I think you have to put this in since just ‘mat’ might mislead some into thinking we are talking about some kind of micro-farming. Subscribe to: Post Comments (Atom).

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文国: January 2013

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Wednesday, 23 January 2013. 古典 Corner 2 - 蜻蛉日記. I reached the section dealing with this Heian period work yesterday. The Anthology I am reading just gives a few excerpts from the whole poetical diary but even from that little its clear that its a work of great psychological and emotional depth. Amongst other things the article deals with Watanabes concept of the 'unmediated author' of the Kagero Nikki and a contrasting appraisal of the prose work and poetry as vehicles of expression and degree control of...

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Kakekotoba: April 2013

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Analyzing Classical Japanese Literature Samir Unni. Sunday, April 14, 2013. Vol 2, Tale 1: Śuddhodana's Death #1 (part 8). We continue the description of Śuddhodana's funeral from last time. So many living things all suddenly [began] to hop up and down and make a racket. The first word, 「然レバ」, can be read in modern Japanese as either. 12300;しかれば」 or 「されば」. But a classical Japanese dictionary only lists the reading 「 されば. 12301;, which is why I selected it. To jump or hop up and down. ひ」+&#1...At that tim...

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Kakekotoba: Konjaku Monogatarishū Vol. 2, Tale 1: Śuddhodana's Death #1 (part 9)

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Analyzing Classical Japanese Literature Samir Unni. Saturday, October 12, 2013. Vol 2, Tale 1: Śuddhodana's Death #1 (part 9). And now the final part of this tale:. When [they] were about to arrive at at Vulture Peak. Fig 1), arhat. Came [to Śuddhodana]. [They] picked up and gathered chinaberry. Wood drifting along the side of the sea. Fig 2) , and burned the Great King's body. For 「見に入む」, where 「入」 was read as 「し」. 12301; (with the okurigana. Folded into the furigana. Which has many differing meanings r...

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Kakekotoba: February 2013

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Analyzing Classical Japanese Literature Samir Unni. Wednesday, February 27, 2013. Vol 2, Tale 1: Śuddhodana's Death #1 (part 7). Śuddhodana's life finally came to an end. But the story doesn't end there:. As [Śuddhodana] vanished, the Buddha and Nanda were both at his bedside. Fig 1) , while Ānanda and Rāhula were both at his feet. Note the term 「 枕上. 12301;, which is an archaic verb for "to be". I wasn't entirely sure about the furigana. Thus, during the funeral. Next, we see the kanji. 12300;恩」 ...

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Kakekotoba: Introduction to Shunshoku Umegoyomi (春色梅兒譽美)

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Analyzing Classical Japanese Literature Samir Unni. Tuesday, August 21, 2012. Introduction to Shunshoku Umegoyomi. 65288;人情本) genre of romance novels came to the forefront of popular Japanese literature during the Edo period (1603-1868). As the country was under strict orders from the shogunate to isolate itself from the outside world (a policy known as sakoku. 65288;春色梅兒譽美), or Spring Colors: The Plum Calendar. Set in Edo, Umegoyomi. Fig 1: A page from the character list of Umegoyomi. Genre caught my in...

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Kakekotoba: Konjaku Monogatarishū Vol. 2, Tale 1: Śuddhodana's Death #1 (part 7)

http://www.kakekotoba.com/2013/02/konjaku-monogatarishu-vol-2-tale-1.html

Analyzing Classical Japanese Literature Samir Unni. Wednesday, February 27, 2013. Vol 2, Tale 1: Śuddhodana's Death #1 (part 7). Śuddhodana's life finally came to an end. But the story doesn't end there:. As [Śuddhodana] vanished, the Buddha and Nanda were both at his bedside. Fig 1) , while Ānanda and Rāhula were both at his feet. Note the term 「 枕上. 12301;, which is an archaic verb for "to be". I wasn't entirely sure about the furigana. Thus, during the funeral. Next, we see the kanji. 12300;恩」 ...

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Kakekotoba: September 2013

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Analyzing Classical Japanese Literature Samir Unni. Friday, September 13, 2013. Vol 1: The Tea Caddy Zangetsu. Returning after a (long) break:. When the second clerk, a person named Kyūhachi, kindly arrived at Lord Hatakeyama['s residence] as my representative. Fig 1) , he [Lord Hatakeyama] immediately agreed to give me the money, but the other day he had commanded Matsubei. Fig 3) .". First of all, note the irregular kanji. For 「 親切. たる」 (an irregular writing of the verb 「. 12301;. However, after se...

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文国: December 2012

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Thursday, 20 December 2012. Opening Epigram and First Paragraph. I will be looking at the Epigram that Abe starts the novel with and the first short paragraph. It is often said that Abe Kobo was influenced by Kafka and I am wondering if the epigram is lifted from a work of his or a paraphrased version of another author. 12288;         - 罰がなければ、逃げるたのしみもない -. The Woman in The Dunes - 砂の女 by Abe Kobo 安部公房. I will be using the widely available Shinchosha paperback edition pictured here as Japanese text - and...

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明けぐれの夢に惑ひたまふ (Lost in a Waking Dream)

明けぐれの夢に惑ひたまふ (Lost in a Waking Dream). Sunday, April 14, 2013. It's great to finally get back to the text! I haven't done a new sentence since January. Looking at the picture here, there are three things of interest:. The open rectangle to the right of なん indicates a 係り結び; the open rectangle pointing the other way on けれ is the 結び part. Finally, the black circle to the left of the し in 後見しなければ indicates that it's a 助辞 (which Hiromichi glosses as yasume no kotoba. 12288;更衣の父按察(あぜち)の大納言の事を&#12...The fact th...

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